Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 29
... moved his images horizontally , across the boundaries of language and syntax , whereas Beckett moved his images vertically , into the recesses of the unconscious . The similarities that commentators have found in the works of Joyce and ...
... moved his images horizontally , across the boundaries of language and syntax , whereas Beckett moved his images vertically , into the recesses of the unconscious . The similarities that commentators have found in the works of Joyce and ...
Página 124
... moved on together towards Mr. de Baker , when Mr. de Baker , ceasing to kneel , moved on , accompanied by Mr. O'Meldon and Mr. MacStern , towards Mr. Magershon . . . .69 The words of the fool take on new meaning as the proceedings drag ...
... moved on together towards Mr. de Baker , when Mr. de Baker , ceasing to kneel , moved on , accompanied by Mr. O'Meldon and Mr. MacStern , towards Mr. Magershon . . . .69 The words of the fool take on new meaning as the proceedings drag ...
Página 194
... moved , and moved us , gently , up and down , and from side to side . ( 27 ) Genuine emotion and commitment is everything for Yeats's Nardock ; in the end , it is everything for Beckett's Krapp , who stares before him , wordless , as ...
... moved , and moved us , gently , up and down , and from side to side . ( 27 ) Genuine emotion and commitment is everything for Yeats's Nardock ; in the end , it is everything for Beckett's Krapp , who stares before him , wordless , as ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
Abbey Theatre actor artist audience Auditor Baile's Strand Beckett's art Bowsie Butler Yeats characters citations will appear Collected Plays Conall consciousness continuosity Cuchulain dark Death of Cuchulain Deathly Terrace described developed Didi dramatic dramaticules dream Dublin Eleutheria Emer emotional Essays and Introductions Estragon figure Friedman Gogo Grand Conversation Green Helmet Grove Press Hartigan Hawk's Ibid Imagination Dead Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp Krapp's Last Tape language light living London MacGreevy Macmillan Masks memory mind mind's eye Mouth Murphy myth Nardock Noh drama novel painter painting Pause playwright poet presence Proust Purgatory Pyle reality Richard Ellmann Robin Skelton Samhain Samuel Beckett scene schismatic sense silence Skelton Sligo soul spectator spectator's stage Subsequent page citations Synge theater Thomas MacGreevy tion University Press viewer vision Vladimir and Estragon voice W. B. Yeats Waiting for Godot Watt William Butler Yeats woman words York