Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 38
... mind's eye was to revive common ancestors and to take part in the creative process itself . The experience of sharing the artist's creative moment promised to be one of near - religious frenzy . But Yeats's belief in predestination and ...
... mind's eye was to revive common ancestors and to take part in the creative process itself . The experience of sharing the artist's creative moment promised to be one of near - religious frenzy . But Yeats's belief in predestination and ...
Página 41
... mind's eye , Yeats might have presented the mind's eye as reality onstage as Beckett did in his best dramatic pieces . Both poets inhabited the same stagescape ; the differences between them were differences of technique and of ...
... mind's eye , Yeats might have presented the mind's eye as reality onstage as Beckett did in his best dramatic pieces . Both poets inhabited the same stagescape ; the differences between them were differences of technique and of ...
Página 129
... mind's eye of the reader , as he or she re - creates the image . Beckett's final sentence is inquisitive and full of dramatic irony : No , life ends and no , there is nothing elsewhere , and no question now of ever finding ... Mind's Eye 129.
... mind's eye of the reader , as he or she re - creates the image . Beckett's final sentence is inquisitive and full of dramatic irony : No , life ends and no , there is nothing elsewhere , and no question now of ever finding ... Mind's Eye 129.
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young