Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 58
... light comes on again after the bell , lights up the empty strip for seven seconds and then fades out . In each part , the light will be somewhat darker than in the preceding one . Therefore it is darkest when the strip is lit up without ...
... light comes on again after the bell , lights up the empty strip for seven seconds and then fades out . In each part , the light will be somewhat darker than in the preceding one . Therefore it is darkest when the strip is lit up without ...
Página 64
... light and dark , no need for its light to devour its dark . The need was now to be in the light , now in the half light , now in the dark . That was all.61 In Beckett's art , the philosophical implications of Murphy as a post- Cartesian ...
... light and dark , no need for its light to devour its dark . The need was now to be in the light , now in the half light , now in the dark . That was all.61 In Beckett's art , the philosophical implications of Murphy as a post- Cartesian ...
Página 130
... light cues . M's words are the same , but the Light beams a strong spot on the three faces , indicating perhaps a moment of intense examination by the Light in its editing function . Beckett seems to be describing a methodology whereby ...
... light cues . M's words are the same , but the Light beams a strong spot on the three faces , indicating perhaps a moment of intense examination by the Light in its editing function . Beckett seems to be describing a methodology whereby ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young