Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and WordsBucknell University Press, 1990 - 268 páginas In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack. |
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Página 131
... becomes the stagescape in Beckett's plays , as symbol becomes dramatic image . Yeats's symbol system was a complex one , and many authors have applied time and expertise to dissipate its complexity . To approach the meaning of The ...
... becomes the stagescape in Beckett's plays , as symbol becomes dramatic image . Yeats's symbol system was a complex one , and many authors have applied time and expertise to dissipate its complexity . To approach the meaning of The ...
Página 196
... becomes high art . Death becomes part of the game of life that makes leg - pulling possible . Skelton noted the link that Yeats made between death and the practical joke : The essence of the practical joke is the way it makes its victim ...
... becomes high art . Death becomes part of the game of life that makes leg - pulling possible . Skelton noted the link that Yeats made between death and the practical joke : The essence of the practical joke is the way it makes its victim ...
Página 200
... becomes apparent : the events of the first scene come next in Jimmy's monologue . Jack Yeats has been poking fun at the pretensions of the Anglo - Irish of his country ; Pullickborough becomes " Pull - leg borough " indeed ! All three ...
... becomes apparent : the events of the first scene come next in Jimmy's monologue . Jack Yeats has been poking fun at the pretensions of the Anglo - Irish of his country ; Pullickborough becomes " Pull - leg borough " indeed ! All three ...
Conteúdo
Illustrations 868 | 9 |
The Modernist Temper | 19 |
Presence Myth and Discourse in Becketts | 42 |
Direitos autorais | |
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Samuel Beckett, W.B. Yeats, and Jack Yeats: Images and Words Gordon S. Armstrong Visualização parcial - 1990 |
Termos e frases comuns
action actor appear artist audience becomes begins body characters Collected comes communication complete consciousness created critics Cuchulain dark dead death described developed Didi dramatic dream Dublin early emotional Estragon experience expression face figure final Godot Gogo Grove Press hand Hawk's head imagination important Ireland Irish Jack Yeats Jack Yeats's John Joyce Krapp language later less letter light living London looking matter meaning memory mind mind's eye moment Mouth moved Murphy nature never noted novel objective once painting past performance picture play poet possible presence Press reality reflected represents Rose Samuel Beckett scene sense silence situation speak spectator stage standing symbol takes theater things thought tion turn University vision Vladimir voice W. B. Yeats wait White woman writing Yeats's York young