Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 Seiten Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Seite 77
... stage . " For which is the " stage " in the Ludus Coventriae ? The scaffold from which Herod speaks ? With its probable curtain it comes closest to our modern conception of a raised theatrical stage . It is even called a " stage " at ...
... stage . " For which is the " stage " in the Ludus Coventriae ? The scaffold from which Herod speaks ? With its probable curtain it comes closest to our modern conception of a raised theatrical stage . It is even called a " stage " at ...
Seite 209
... stage ( as designed , for example , by J. Q. Adams ) concerns the existence of an “ inner stage , ” an acting area recessed into the rear stage wall and separated from the main stage by a curtain . Theater historians like A. H. ...
... stage ( as designed , for example , by J. Q. Adams ) concerns the existence of an “ inner stage , ” an acting area recessed into the rear stage wall and separated from the main stage by a curtain . Theater historians like A. H. ...
Seite 212
... stage direction " pass over the stage , " found in numerous texts , does not , as was hitherto assumed , mean to move between the doors in the rear stage wall , but from the pit , across the stage , and back into the pit . The starting ...
... stage direction " pass over the stage , " found in numerous texts , does not , as was hitherto assumed , mean to move between the doors in the rear stage wall , but from the pit , across the stage , and back into the pit . The starting ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Häufige Begriffe und Wortgruppen
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York
Verweise auf dieses Buch
Christ's Body: Identity, Culture and Society in Late Medieval Writings Sarah Beckwith Keine Leseprobe verfügbar - 1996 |