Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 Seiten Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Seite 36
... Gold . I fought the finest Dragon And brought him to a slaughter , And by that means I gaind The King of Egypts Daughter . I ash him and smash him as small as Flys , Send him to Jamaica to make Minch Pies . ( Fool ) You hash me and ...
... Gold . I fought the finest Dragon And brought him to a slaughter , And by that means I gaind The King of Egypts Daughter . I ash him and smash him as small as Flys , Send him to Jamaica to make Minch Pies . ( Fool ) You hash me and ...
Seite 183
... gold ; rather it is a desire - not fully realized in its implications - to : ... make a bridge through the moouing ayre , Το passe the Ocean with a band of men , Ile ioyne the hils that binde the Affricke shore , And make that land ...
... gold ; rather it is a desire - not fully realized in its implications - to : ... make a bridge through the moouing ayre , Το passe the Ocean with a band of men , Ile ioyne the hils that binde the Affricke shore , And make that land ...
Seite 219
... gold , And the strong lance of justice hurtless breaks ; Arm it in rags , a pigmy's straw does pierce it . None does offend , none - I say none ; I'll able ' em . Take that of me , my friend , who have the power To seal th'accuser's ...
... gold , And the strong lance of justice hurtless breaks ; Arm it in rags , a pigmy's straw does pierce it . None does offend , none - I say none ; I'll able ' em . Take that of me , my friend , who have the power To seal th'accuser's ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Häufige Begriffe und Wortgruppen
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York
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Christ's Body: Identity, Culture and Society in Late Medieval Writings Sarah Beckwith Keine Leseprobe verfügbar - 1996 |