Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 Seiten Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Seite 17
... action . Although the gradual separation of performer and “ audience " increased the need to interpret cultic action in terms of representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways : the ...
... action . Although the gradual separation of performer and “ audience " increased the need to interpret cultic action in terms of representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways : the ...
Seite 18
... action did not develop symbolically into a body of mythological images and stories ; they remained tied to the seasonal activities of the ritual per- former and the decadence of what was once an effective social occasion . Although the ...
... action did not develop symbolically into a body of mythological images and stories ; they remained tied to the seasonal activities of the ritual per- former and the decadence of what was once an effective social occasion . Although the ...
Seite 205
... action , ” and the " action " suited " to the word . " There is a unity of verbal art and stage- craft not to be found in Seneca or the neoclassical drama ; for the mode of communication is not simply speech , but speech coupled with action ...
... action , ” and the " action " suited " to the word . " There is a unity of verbal art and stage- craft not to be found in Seneca or the neoclassical drama ; for the mode of communication is not simply speech , but speech coupled with action ...
Andere Ausgaben - Alle anzeigen
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Keine Leseprobe verfügbar - 1987 |
Häufige Begriffe und Wortgruppen
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York
Verweise auf dieses Buch
Christ's Body: Identity, Culture and Society in Late Medieval Writings Sarah Beckwith Keine Leseprobe verfügbar - 1996 |