King LearBarrons Educational Series, 1986 - 316 Seiten Here are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. These invaluable teaching-study guides also include:
|
Im Buch
Ergebnisse 1-3 von 37
Seite 36
... hath deprived me of your grace and favour , But even for want of that for which I am richer , A still - soliciting eye , and such a tongue That I am glad I have not , though not to have it Hath lost me in your liking . Lear Better thou ...
... hath deprived me of your grace and favour , But even for want of that for which I am richer , A still - soliciting eye , and such a tongue That I am glad I have not , though not to have it Hath lost me in your liking . Lear Better thou ...
Seite 40
... hath not been little : he always loved our sister most ; and with what poor judgment he hath now cast her off appears too grossly . Regan ' Tis the infirmity of his age ; yet he hath ever but slenderly known himself . Goneril The best ...
... hath not been little : he always loved our sister most ; and with what poor judgment he hath now cast her off appears too grossly . Regan ' Tis the infirmity of his age ; yet he hath ever but slenderly known himself . Goneril The best ...
Seite 309
... hath ever but slenderly known himself " ( ii ) " The best and soundest of his time hath been but rash " ( iii ) " He but usurped his life . " 9 How does Shakespeare achieve both intense horror and acute pathos in the storm scenes of ...
... hath ever but slenderly known himself " ( ii ) " The best and soundest of his time hath been but rash " ( iii ) " He but usurped his life . " 9 How does Shakespeare achieve both intense horror and acute pathos in the storm scenes of ...
Inhalt
Introduction | 6 |
life plays theater verse | 8 |
date sources text | 15 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Act I Scene Alack Albany Albany Trust banished bastard blessing brother Burgundy Cordelia Curan daughters dead dear death Dover Duke of Albany Duke of Burgundy Duke of Cornwall Earl of Gloucester Edgar Edmund Exeunt Exit eyes farewell father Flibbertigibbet follow Fool fortune foul fiend France Gentleman give Gloucester's castle gods goes Goneril and Regan Grace hand hast hath hear heart heavens horse hundred knights husband James Burbage King Lear King of France kingdom knave lady Lear Let Lear's leave letter look lord madam master Messenger nature never night noble nuncle Officer Oswald pity play poor Poor Tom pray Prithee rascal rogue Servants Shakespeare sister sorrow speak speech stand stocks storm suffering sword tears tell thee there's thine things thou art traitor trumpet sound villain What's Who's wind words wretch