James Joyce and the Difference of LanguageJames Joyce and the Difference of Language offers an alternative look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining close textual analysis and theoretically informed readings, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Topics covered include reading Joyce through translations; the role of Dante's literary linguistics in Finnegans Wake; and the place of gender in Joyce's modernism. Two further essays illustrate aspects of Joyce's cultural politics in Ulysses and the ethics of desire in Finnegans Wake. Informed by debates in Joyce scholarship, literary studies and critical theory, and addressing the full range of his writing, this volume comprehensively examines the critical diversity of Joyce's linguistic practices. It is essential reading for all scholars of Joyce and modernism. |
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
Conteúdo
1 | |
CHAPTER 2 Syntactic glides | 28 |
Joyce and contemporary linguistic theories | 43 |
CHAPTER 4 Madonnas of Modernism | 58 |
Joyces women on display | 79 |
Joyce with Deleuze | 97 |
Joyce and the anathema of writing | 112 |
CHAPTER 8 Language sexuality and the remainder in A Portrait of the Artist as a Young Man | 128 |
CHAPTER 9 Border disputes | 142 |
the ethics of desire in Finnegans Wake | 161 |
Dantes postBabelian linguistics in the Wake | 180 |
Derridas war at Finnegans Wake | 195 |
208 | |
225 | |
Outras edições - Ver todos
Termos e frases comuns
according aesthetic already appears argues attempt authority Babel beauty becomes beginning Bloom body chapter character comes concept condition connects construction context course critical culture Dante Derrida desire difference discourse Dublin early effect English especially essay example experience fall father fiction figure Finnegans Wake follows gender given hand identity instance Irish issue Italy James Joyce Joyce’s Joycean language later letter lines linguistic literary literature logic look Madonna material meaning mother narrative nature never notes object ofthe once opening original particular passage politics Portrait position possible present problem production question reader reading references relation remains represent representation seems seen sense sexual sound space speak specific speech Stephen story structure suggests takes theory thing tongue tradition translation truth turn Ulysses universal Virgin voice woman women word writing young