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provincial dandies, copper-washed counterfeits of Bond Street loungers, who are always proud to be in the train of an actress from town, and anxious to be thought on exceeding good terms with her. It was really a relief to me when some random young nobleman would come in pursuit of the bait, and awe all this small fry at a distance. I have always felt myself more at ease with a nobleman than with the dandy of a country town.

And then the injuries I suffered in my personal dignity and my managerial authority from the visits of these great London actors! 'Sblood, sir, I was no longer master of myself on my throne. I was hectored and lectured in my own green-room, and made an absolute nincompoop on my own stage. There is no tyrant so absolute and capricious as a London star at a country theatre. I dreaded the sight of all of them, and yet if I did not engage them, I was sure of having the public clamorous against me. They drew full houses, and appeared to be making my fortune; but they swallowed up all the profits by their insatiable demands. They were absolute tapeworms to my little theatre; the more it took in the poorer it grew. They were sure to leave me with an exhausted public, empty benches, and a score or two of affronts to settle among the townsfolk, in consequence of misunderstandings about the taking of places.

But the worst thing I had to undergo in my managerial career was patronage. Oh, sir! of all things deliver me from the patronage of the great people of a country town. It was my ruin. You must know that this town, though small, was filled with feuds, and parties, and great folks; being a busy little trading and manufacturing town. The mischief was that their greatness was of a kind not to be settled by reference to the court calendar, or college of heraldry; it was therefore the most quarrelsome kind of greatness in existence. You smile, sir, but let me tell you there are no feuds more furious than the frontier feuds which take place in these "debatable lands" of gentility. The most violent dispute that I ever knew in high life was one which occurred at a country town, on a question of precedence between the ladies of a manufacturer of pins and a manufacturer of needles.

At the town where I was situated there were perpetual altercations of the kind. The head manufacturer's lady, for instance, was at daggers-drawings with the head shopkeeper's, and both were too rich and had too many friends to be treated lightly. The doctor's

and lawyer's ladies held their heads still higher; but they in turn were kept in check by the wife of a country banker, who kept her own carriage; while a masculine widow of cracked character and second-handed fashion, who lived in a large house and claimed to be in some way related to nobility, looked down upon them all. To be sure, her manners were not over-elegant, nor her fortune over-large; but then, sir, her blood-oh, her blood carried it all hollow; there was no withstanding a woman with such blood in her veins.

After all, her claims to high connection were questioned, and she had frequent battles for precedence at balls and assemblies with some of the sturdy dames of the neighborhood, who stood upon their wealth and their virtue; but then she had two dashing daughters, who dressed as fine as dragoons, and had as high blood as their mother, and seconded her in everything; so they carried their point with high heads, and everybody hated, abused, and stood in awe of the Fantadlins.

Such was the state of the fashionable world in this self-important little town. Unluckily, I was not as well acquainted with its politics as I should have been. I had found myself a stranger and in great perplexities during my first season; I determined, therefore, to put myself under the patronage of some powerful name, and thus to take the field with the prejudices of the public in my favor. I cast around my thoughts for that purpose, and in an evil hour they fell upon Mrs. Fantadlin. No one seemed to me to have a more absolute sway in the world of fashion. I had always noticed that her party slammed the box-door the loudest at the theatre; and had most beaux attending on them, and talked and laughed loudest during the performance; and then the Miss Fantadlins wore always more feathers and flowers than any other ladies; and used quizzing-glasses incessantly. The first evening of my theatre's reopening, therefore, was announced in staring capitals on the playbills, as under the patronage of "The Honorable Mrs. Fantadlin.”

Sir, the whole community flew to arms! The banker's wife felt her dignity grievously insulted at not having the preference; her husband being high bailiff and the richest man in the place. She immediately issued invitations for a large party, for the night of the performance, and asked many a lady to it whom she never had noticed before. Presume to patronize the theatre! insufferable! And

then for me to dare to term her "The Honorable!" What claim had she to the title forsooth? The fashionable world had long groaned under the tyranny of the Fantadlins, and were glad to make a common cause against this new instance of assumption. Those, too, who had never before been noticed by the banker's lady were ready to enlist in any quarrel for the honor of her acquaintance. All minor feuds were forgotten. The doctor's lady and the lawyer's lady met together; and the manufacturer's lady and the shopkeeper's lady kissed each other; and all, headed by the banker's lady, voted the theatre a bore, and determined to encourage nothing but the Indian Jugglers and Mr. Walker's Eidouranion.

Alas for poor Pillgarlick! I knew little the mischief that was brewing against me. My box-book remained blank; the evening arrived; but no audience. The music struck up to a tolerable pit and gallery, but no fashionables! I peeped anxiously from behind the curtain, but the time passed away; the play was retarded until pit and gallery became furious; and I had to raise the curtain, and play my greatest part in tragedy to "a beggarly account of empty boxes."

It is true the Fantadlins came late, as was their custom, and entered like a tempest, with a flutter of feathers and red shawls; but they were evidently disconcerted at finding they had no one to admire and envy them, and were enraged at this glaring defection of their fashionable followers. All the beau-monde were engaged at the banker's lady's rout. They remained for some time in solitary and uncomfortable state; and though they had the theatre almost to themselves, yet, for the first time, they talked in whispers. They left the house at the end of the first piece, and I never saw them afterwards.

Such was the rock on which I split. I never got over the patronage of the Fantadlin family. My house was deserted; my actors grew discontented because they were ill paid; my door became a hammering place for every bailiff in the country; and my wife became more and more shrewish and tormenting the more I wanted comfort.

I tried for a time the usual consolation of a harassed and henpecked man; I took to the bottle, and tried to tipple away my cares, but in vain. I don't mean to decry the bottle; it is no doubt an excellent remedy in many cases, but it did not answer in mine. It cracked my voice, coppered my nose, but neither improved my

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wife nor my affairs. My establishment became a scene of confusion and peculation. I was considered a ruined man, and of course fair game for every one to pluck at, as every one plunders a sinking ship. Day after day some of the troop deserted, and, like deserting soldiers, carried off their arms and accoutrements with them. In this manner my wardrobe took legs and walked away, my finery strolled all over the country, my swords and daggers glittered in every barn, until, at last, my tailor made "one fell swoop," and carried off three dresscoats, half a dozen doublets, and nineteen pair of flesh-colored pantaloons.

This was the "be all and the end all" of my fortune. I no longer hesitated what to do. Egad, thought I, since stealing is the order of the day, I'll steal too. So I secretly gathered together the jewels of my wardrobe, packed up a hero's dress in a handkerchief, slung it on the end of a tragedy sword, and quietly stole off at dead of night, "the bell then beating one," leaving my queen and kingdom to the mercy of my rebellious subjects, and my merciless foes the bumbailiffs.

Such, sir, was the "end of all my greatness." I was heartily cured of all passion for governing, and returned once more into the ranks. I had for some time the usual run of an actor's life. I played in various country theatres, at fairs, and in barns; sometimes hard pushed, sometimes flush, until, on one occasion, I came within an ace of making my fortune, and becoming one of the wonders of the age.

I was playing the part of Richard the Third in a country barn, and in my best style; for, to tell the truth, I was a little in liquor, and the critics of the company always observed that I played with most effect when I had a glass too much. There was a thunder of applause when I came to that part where Richard cries for "a horse! a horse!" My cracked voice had always a wonderful effect here; it was like two voices run into one; you would have thought two men had been calling for a horse, or that Richard had called for two horses. And when I flung the taunt at Richmond, "Richard is hoarse with calling thee to arms," I thought the barn would have come down about my ears with the raptures of the audience.

The very next morning a person waited upon me at my lodgings. I saw at once he was a gentleman by his dress; for he had a large

brooch in his bosom, thick rings on his fingers, and used a quizzingglass. And a gentleman he proved to be; for I soon ascertained that he was a kept author, or kind of literary tailor to one of the great London theatres; one who worked under the manager's directions, and cut up and cut down plays, and patched and pieced, and new faced, and turned them inside out; in short, he was one of the readiest and greatest writers of the day.

He was now on a foraging excursion in quest of something that might be got up for a prodigy. The theatre, it seems, was in desperate condition-nothing but a miracle could save it. He had seen me act Richard the night before, and had pitched upon me for that miracle. I had a remarkable bluster in my style and swagger in my gait. I certainly differed from all other heroes of the barn: so the thought struck the agent to bring me out as a theatrical wonder, as the restorer of natural and legitimate acting, as the only one who could understand and act Shakspeare rightly.

When he opened his plan I shrunk from it with becoming modesty, for well as I thought of myself, I doubted my competency to such an undertaking.

I hinted at my imperfect knowledge of Shakspeare, having played his characters only after mutilated copies, interlarded with a great deal of my own talk by way of helping memory or heightening the effect.

"So much the better!" cried the gentleman with rings on his fingers; "so much the better! New readings, sir!-new readings! Don't study a line-let us have Shakspeare after your own fashion." "But then my voice was cracked; it could not fill a London theatre."

"So much the better! so much the better! The public is tired of intonation—the ore rotundo has had its day. No, sir, your cracked voice is the very thing;-spit and splutter, and snap and snarl, and 'play the very dog' about the stage, and you'll be the making of us."

"But then,"-I could not help blushing to the end of my very nose as I said it, but I was determined to be candid,—“but then," added I, "there is one awkward circumstance: I have an unlucky habit-my misfortunes, and the exposures to which one is subjected in country barns, have obliged me now and then to-to-take a drop of something comfortable-and so and so"

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