But for the discontented fool, And nane say, Wae's me for 'im! THE BATTLE OF KILLIECRANKIE.+ CLAVERS and his Highlandmen Came down upon the raw, man; Wi' mony a fearfu' heavy sigh, The lads began to claw, then. Ower bush, ower bank, ower ditch, ower stank, *Burns informs us, upon the authority of the author's son, the late Bishop Skinner of Aberdeen, that the old gentleman wrote this song at the request of a lady of the name of Montgomery, in whose house, at the town of Ellon, Aberdeenshire, he happened to be at the time on a visit. I have farther heard, that the opening lines refer to a dispute upon some matter of stale politics which took place that day after dinner, and which Mrs Montgomery attempted to put a stop to by asking for a song. She happened to observe, in the conversation which ensued, that the beautiful reel of Tullochgorum wanted words, and she suggested to Mr Skinner the propriety of his supplying the desideratum. He complied by, either that evening or next morning, producing the above song. Fought on the 17th of July 1689, between the troops of King William, under General Mackay, and the Highland clans, who were commanded, for King James, by the celebrated Viscount Dundee, more commonly known in the south of Scotland by his patrimonial title, Graham of Claverhouse. The latter were triumphant, but with the loss of their brave leader. The butter-box * gat mony knocks Her + leap'd about, her skipp'd about, Their crowns were cleaved in twa, then ; The Solemn League and Covenant Sir Evan Dhu, ‡ and his men true, * Apparently a cant word for the skull. The Highlanders have only one pronoun, and as it happens to resemble the English word her, it has caused the Lowlanders to have a general impression, that they mistake the feminine for the masculine gender. It has even become a sort of nick-name for them, as in the present case, and in a subsequent verse, where it is extended to-Her-nain-sell. Sir Evan Cameron of Lochiel. Och on a righ! och on a righ! She shall break a' her banes, then ; And speak a word or twa, man; She's gie ye a straik out ower the neck, Before ye win awa, then. Oh, fie for shame, ye're three for ane! Had they bent their bows like Highland trews, CANST THOU LEAVE ME THUS, MY KATY? BURNS. TUNE-Roy's Wife. CANST thou leave me thus, my Katy? Is this thy plighted fond regard, Farewell! and ne'er such sorrows tear * From Herd's Collection, 1776. E Thou may'st find those will love thee dear- REPLY TO THE ABOVE. * [By a young English Gentlewoman. Found amongst Burns's manuscripts after his decease.] STAY, My Willie-yet believe me, Stay, my Willie yet believe me; Tell me that thou yet art true, And a' my wrongs shall be forgiven; And when this heart proves false to thee, But to think I was betray'd, That falsehood e'er our loves should sunder! To take the floweret to my breast, And find the guilefu' serpent under! Could I hope thou'dst ne'er deceive me, That heaven I'd find within thy bosom. THE LAIRD O' LAMINGTON. HOGG. CAN I bear to part wi' thee, Can I bear to part wi' thee, Drucken Laird o' Lamington? *These three stanzas, Burns tells us, he composed in the course of two turns through his room, with the assistance of two or three pinches of Irish blackguard. Canty war ye ower your kale, He that swears is but so so; Falls in the devil's frying-pan. Wha was't ne'er put aith to word, The honest Laird o' Lamington. He that cheats can ne'er be just; Wha was't ne'er to fraud inclined, I like a man to tak' his glass, Deil send him ane to gallop on! I like a man that's frank and kind, Meets me when I hae a mind, and drinks me blind, sang Like the honest Laird o' Lamington. Sings his |