Of Songs, with fome few Examples and Remarks A Fragment of Sappho, by Mr. Philips Young Old Age from Anacreon, by Mr. Fawkes The Power of Gold, by the fame The Vanity of Riches, by the fame The Number of his Miftreffes, by the fame On Old Age, by Dr. Broome Cupid wounded----from Anacreon Ode in the manner of Anacreon, by Mr. Prior Anfwer to Chloe Jealous, in the manner of Sappho, by the fame A better Answer to Chloe Jealous, by the fame 61 62 On receiving a Mofs-Rofe from a fick Lady, byMr. Dodd ib. Of the more florid and figurative Ode On Fancy, by Mr. Wharton On a young Lady's Birth-day, by Mr. Smart On the Death of Mr. Thomson, by Mr. Collins Of Divine Odes, or Hymns Hymn, by Mr. Addifon Paftoral Hymn from the 23d Pfalm, by the fame Of the Sublime Ode The Song of Mofes Whence this Species of Poetry obtained the Name Of the Pindaric Ode The Eleventh Neumean Ode, by Dr. Weft Alexander's Feast, by Mr. Dryden 63 ibid. 92 93 95 The 9th Ode of the first Book of Horace, by Mr.Congrevego Of irregular Odes Ode on Mufic, by Mr. Pope On Conftancy, by Mr. Mafon On Lyrick Poetry, by Dr. Akenfide On the New Year, by Mr. Woty PRECEPTS for SATIRE, with occafional Remarks 99 to 149 Of its origin and use ibid. Imitation of the 2d Satire of the 2d Book of Horace, by Love of Fame, Satire the 2d. by Dr. Young Of the Iliad. Its Defign and Fable 180 to the End. 183 ibid. 184 187 189 Of the Character of Achilles, and his bold Speeches to Agamemnon ibid. 190 A Picture of the Simplicity and Temperance of ancient A Simile on the occafion, which is defective Speeches between Hector and Ajax The Character of Agamemnon Description of that Chief His cruel Speech to Menelaus -Character of Diomed Diomed's Behaviour approved by Neftor Characters of Ulyffes and Neftor The Character of Therfites, and his Speech to fow more those of the Greeks The Misfortunes of Priam and Hector affect us more than Of Homer's partiality to the Greeks ibid. 213 Of the Retreat of Ajax from Hector, with two beautiful Similies on that occafion ibid. The Character of Ajax 214 The ufe Homer makes of the Gods is often to the Difadvantage of his Heroes ibid. Hector takes Leave of Andromache and his Son, and their affecting Speeches on that occafion 215 Of the pathetic Interview between Priam and Achilles, with Reflections on Eloquence, and the force of a mournful defponding Attitude 218 Speeches between Priam and Achilles 213 Homer's knowledge of Mankind, and Power over the hu man Heart Of fome of the Defects in the Iliad, with a few Word's by way of Defence 1225 226 Of the Sentiments, Diction, and Numbers ibid. Of the Painting of Homer---His Descriptions and Similies numerous and beautiful ibid. Defcription of Jupiter Defcription of the Deities engaged in the Combat 227 ibid. 228 Similies in the Defcription of the Grecian Army marching against the Trojans The Iliad more Dramatic than any other Epic Poem 230 How Youth ought to read Homer A Remark on Euftathius Of the Odyssey 231 ibid. The fate of the Grecian Heroes after the taking of Troy 232 The Defign and Fable of the Odyffey The Odyffey more useful than the Iliad 233 234 Ulyffes condemn'd for an Action which has been applauded in the Czar of Muscovy Defcription of Calypfo's Grotto 235 236 Of the Epifodes, many of which contain important Truths and useful Leffons, conveyed by way of Fiction and Allegory 239 Of the opening the Bags in which Eolus had confined the Winds---Circes turning the Companions of Ulysses into Swine---and the Sirens Song The Characters finely drawn Of the Sentiments, Diction and Numbers Story of the Dog Argus ibid. 240 241 242 Of Nausicaa's washing her nuptial Linen, and playing at The artful Manner in which Ulysses address'd the Queen 250 Defcent of Ulyffes to the infernal Shades indefenfible Dr. Warburton's Opinion of this Paffage Bad effect of it as to the Poem Arguments which the Critics have introduced to palliate fome of the Escapes in Homer, abfurd 263 ibid. Speech of Phemius the Bard, in behalf of himself, and in 265 266 The manner in which Ulyffes is discovered to his Father, 260 261 262 Of the Action, the Moral, and the artful and interefting ibid. Of his celestial Machinery 277 Of the Characters, which are justly conceived and well sustained 278 ibid. Of the Hero, Turnus, Dido, Latinus, and Amate ibid. Of the Sentiments which are confiftent with his Characters, 280 Eneas in his rattling Armour preffing forward to engage Foreft on its Sides ibid. 286 ibid. Their combat compared to the battle of two Bulls His account of the burning of Troy, and of the 289 warning ibid. Virgil has fuffer'd the Honour and Humanity of his Hero to be fufpected in his Tranfactions with Dido, who claims Mercury introduced to fave the Hero's Reputation Defcription of Mount Atlas eas prepares his Fleet for failing The Paffion and Diftrefs of Dido on this Occafion, moft ibid. The manner in which She precured her own funeral Pile 304 The affecting Soliloquy of Dido at Midnight ibid. 395 The extreme Agonies, Despair and Madness of Dido on 307 310 The advantage which Poetry has over History 311 Pains taken to defend Virgil, where he needs no defence 314 Plan or Fable of the Poem The most magnificent Ideas raised by Milton, are 318 ac- 326 The Description of Hell Gates, and the preparation for Of the Excellency of this Poem 332 Of the Objections made to the Fable of this Poem 333 Of the Digreffions in Paradife Loft ibid. The Clofe of this Poem more perfect than either the Iliad or Æneid 334 Of the Characters ibid. Of his Defcription of the Almighty and of the Angels ibid. Defcription of the Prowess and Perfon of Satan 335 His Situation after he was expelled Heaven 336 Defcription of his Stature, his Shield and Spear Of the Shapes Satan affumes to deceive Adam and Eve ibid. Defcription of the Serpent ibid. The Difpofition and Remorse of Satan 339 |