The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearDuke University Press, 1998 - 162 Seiten The King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Seite 50
... deny so vehe- mently - an imbecile simply does not understand or make mental connections . Flaubert , moreover ... denies being involved as a victim . It is all to be blamed on fate and nobody has the power to fight against fate - the ...
... deny so vehe- mently - an imbecile simply does not understand or make mental connections . Flaubert , moreover ... denies being involved as a victim . It is all to be blamed on fate and nobody has the power to fight against fate - the ...
Seite 135
... denies his need for love , denies being unable to find it , and therefore resorts to staging the initial pantomime and proclaiming his rights . At the same time , it has been seen that Goneril and Regan confusedly search for a ...
... denies his need for love , denies being unable to find it , and therefore resorts to staging the initial pantomime and proclaiming his rights . At the same time , it has been seen that Goneril and Regan confusedly search for a ...
Seite 147
... denied child fears , above all , being abandoned because of his " greed " or destroying the source that supplied him . Cordelia's volte - face , which enables her to deny the fantasy that she has been abandoned and is no longer the ...
... denied child fears , above all , being abandoned because of his " greed " or destroying the source that supplied him . Cordelia's volte - face , which enables her to deny the fantasy that she has been abandoned and is no longer the ...
Inhalt
A Wholly Fictitious Story | 54 |
An Essay on King Lear | 81 |
The Barbarous Scythian | 106 |
Urheberrecht | |
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The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
Häufige Begriffe und Wortgruppen
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