The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearDuke University Press, 1998 - 162 Seiten The King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Seite 39
... child : ' Child , do you love me ? ' [ Elle l'appelait enfant : ' Enfant , m'aimes - tu ? ' ] " ( 216/302 ) . Emma acts “ like a virtuous mother , . . . showing concern for his health and giving him ad- vice in matters of conduct ...
... child : ' Child , do you love me ? ' [ Elle l'appelait enfant : ' Enfant , m'aimes - tu ? ' ] " ( 216/302 ) . Emma acts “ like a virtuous mother , . . . showing concern for his health and giving him ad- vice in matters of conduct ...
Seite 68
... child feels as if he " has been eating flesh [ d'avoir mangé de la chair ] . ” He then hears a long , drawn - out wail , “ like a weird song that hissed as it tore open my breast with a dagger [ comme une bizarre chanson dont chaque ...
... child feels as if he " has been eating flesh [ d'avoir mangé de la chair ] . ” He then hears a long , drawn - out wail , “ like a weird song that hissed as it tore open my breast with a dagger [ comme une bizarre chanson dont chaque ...
Seite 126
... child , as Lear did . According to Ariès , the concept of the privileged child , whether due to primogeni- ture or simple parental favor , was a fundamental part of family life from the late Middle Ages through to the seventeenth cen ...
... child , as Lear did . According to Ariès , the concept of the privileged child , whether due to primogeni- ture or simple parental favor , was a fundamental part of family life from the late Middle Ages through to the seventeenth cen ...
Inhalt
A Wholly Fictitious Story | 54 |
An Essay on King Lear | 81 |
The Barbarous Scythian | 106 |
Urheberrecht | |
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The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
Häufige Begriffe und Wortgruppen
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