The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation of Madame Bovary and King LearDuke University Press, 1998 - 162 Seiten The King and the Adulteress brings together two essays that propose radically revisionary readings of two of the most important literary works in the Western canon, Flaubert's Madame Bovary and Shakespeare's King Lear. In offering a new understanding of a deeply sadomasochistic relationship and of an authoritarian pathology, renowned psychoanalyst Roberto Speziale-Bagliacca combines psychoanalysis with literary studies to challenge the conventional judgments of readers and the stereotyped interpretations of literary critics to these masterpieces. Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife's neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma's miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play. Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works. |
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Seite 117
... Kent rage about the insult " to his lord " and remind them of an ambassador's inviolability . But when Gloucester sees him in the stocks and offers to intercede on his behalf , Kent hurriedly dissuades him : Pray do not sir . A good ...
... Kent rage about the insult " to his lord " and remind them of an ambassador's inviolability . But when Gloucester sees him in the stocks and offers to intercede on his behalf , Kent hurriedly dissuades him : Pray do not sir . A good ...
Seite 118
... Kent also gnaws at the holy cords , just like the rats ( which do not do their work in daylight ) . According to Kent's accusations , Oswald smoothes69 his master's rage , pours oil on the fire , and then comes to cool it down when it ...
... Kent also gnaws at the holy cords , just like the rats ( which do not do their work in daylight ) . According to Kent's accusations , Oswald smoothes69 his master's rage , pours oil on the fire , and then comes to cool it down when it ...
Seite 124
... Kent obviously does not want to hear , for Lear has called him by his true name ! This is " the promised end " ! Kent replies : The same , your servant Kent . Where is your servant Caius ? ( 5.3.258-59 ) In the way that Alcibiades takes ...
... Kent obviously does not want to hear , for Lear has called him by his true name ! This is " the promised end " ! Kent replies : The same , your servant Kent . Where is your servant Caius ? ( 5.3.258-59 ) In the way that Alcibiades takes ...
Inhalt
A Wholly Fictitious Story | 54 |
An Essay on King Lear | 81 |
The Barbarous Scythian | 106 |
Urheberrecht | |
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The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
The King & the Adulteress: A Psychoanalytical and Literary Reinterpretation ... Roberto Speziale-Bagliacca Eingeschränkte Leseprobe - 1998 |
Häufige Begriffe und Wortgruppen
able accept According affection already appears attempt become beginning behavior believe blind caused characters Charles Charles's child comes consider continue Cordelia Correspondance critics dans daughters deny describes edition elle Emma Emma's essay everything expression eyes face fact father feel figure Flaubert Fool further give given Goneril guilt Gustave husband idea imagination interest interpretation keep Kent King Lear Lear's least leaves Léon letter look Madame Bovary means mind mother nature never novel offer once Paris perhaps personality play poor possible Press probably quoted reason reference Regan relationship Rodolphe scene seems seen sense Shakespeare shows sisters sort speak suffer suggested tells term Theodor Reik things thou thought tion tragedy true turns unconscious understand wants wife wish woman writes