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" ... modern school of ballet — wherein each action is an end, and no movement, pose, or rhythm is successive, or can be made to evolve succeeding action — is an expression of degeneration, of living death. All the movements of our modern ballet school... "
Theatre Arts - Página 23
editado por - 1918
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What is Dance?: Readings in Theory and Criticism

Roger Copeland, Marshall Cohen - 1983 - 606 páginas
...Isadora Duncan was able to turn out this line of talk. She was able to say that The school of the ballet to-day, vainly striving against the natural laws of...that the law of gravitation does not exist for them. And so on. . . . And finally this . . . To those who nevertheless still enjoy the movements, for historical...
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Critical Moves: Dance Studies in Theory and Politics

Randy Martin - 1998 - 284 páginas
...that it appropriated. Duncan claimed that the "primary or fundamental movements of the new school of dance must have within them the seeds from which will evolve all other movements." 25 Thus the motion of veiling and unveiling, culture/science and nature, is inscribed not merely outside...
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Merce Cunningham: The Modernizing of Modern Dance

Roger Copeland - 2004 - 332 páginas
...rhythm is successive or can be made to evolve succeeding action, is an expression of degeneration, or living death. All the movements of our modern ballet...that the law of gravitation does not exist for them. (1977, 55) For Duncan, natural movement — organically conceived and executed — could only originate...
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