Theatre Arts, Volume 2Sheldon Cheney, Edith Juliet Rich Isaacs Theatre Arts, Incorporated, 1918 |
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Página 2
... Act II of Gluck's opera Iphigenia in Tauris . The columns are of terra otta color , their bases blue . The background is a ceeper indigo blue , with frieze of fighting gods in red . Volume II Copyright , 1917 , by Sheldon Cheney DECEMBER.
... Act II of Gluck's opera Iphigenia in Tauris . The columns are of terra otta color , their bases blue . The background is a ceeper indigo blue , with frieze of fighting gods in red . Volume II Copyright , 1917 , by Sheldon Cheney DECEMBER.
Página 3
... color , dingy even when new , which the opera house of New York ( and of Munich , for that matter ) perennially offers . As the gods pick their way over sallow mounds , papier mâché rocks , so strangely stratified , I seem always to see ...
... color , dingy even when new , which the opera house of New York ( and of Munich , for that matter ) perennially offers . As the gods pick their way over sallow mounds , papier mâché rocks , so strangely stratified , I seem always to see ...
Página 5
... color , and he is greeted with ripples of applause by astonished audiences who view him as a daring innovator . Every innovation in stage - craft we have witnessed in America is based upon the æsthetic discoveries of twenty years ago ...
... color , and he is greeted with ripples of applause by astonished audiences who view him as a daring innovator . Every innovation in stage - craft we have witnessed in America is based upon the æsthetic discoveries of twenty years ago ...
Página 6
... color which to - day any painter of twenty - five has inherited , a painter cannot avoid designing settings which in one way or another are significant . We hear a great deal of a special " sense of the theatre , " as though it were a ...
... color which to - day any painter of twenty - five has inherited , a painter cannot avoid designing settings which in one way or another are significant . We hear a great deal of a special " sense of the theatre , " as though it were a ...
Página 10
... color . For on the stage it is still a dogma that a background must be dark or grey in order to stay back - a theory which in painting is always discredited and is applied only in such art schools as Julian's , into which the ambient ...
... color . For on the stage it is still a dogma that a background must be dark or grey in order to stay back - a theory which in painting is always discredited and is applied only in such art schools as Julian's , into which the ambient ...
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Página 81 - ... ultimately reach a place where it helps mankind to a better human understanding, to a deeper social pity and to a wider tolerance of all that is life...
Página 82 - ... production. What was originally experimental has now become a fixed method, and I hope definitely to demonstrate that there is a way to insure invariably the projection of nearly all the values a play may possess. From the very beginning I had an abhorrence of all that is generally termed theatric. It seemed cheap and tawdry, the trick of the street fakir. I thought for a long time that my prejudice was personal and not well founded. But, finally, all protest and all new seeking began naturally...
Página 85 - new" scenery, much has been said and written, and most of it beside the point. One's position in the matter is entirely determined by which mind he thinks the stage has to do with, the conscious or the unconscious. Realistic settings are designed wholly for conscious appeal. An attempt at exact reproduction challenges the conscious mind of the audience to comparison. Comparison of the scene as it is offered with the auditor's conscious knowledge of what it is supposed to reproduce. If a Childs Restaurant...
Página 23 - It is not only a question of true art, it is a question of race, of the development of the female sex to beauty and health, of the return to the original strength and to natural movements of woman's body. It is a question of the development of perfect mothers and the birth of healthy and beautiful children.
Página 3 - To help conserve and develop creative impulse in the American theatre ; to provide a permanent record of American dramatic art in its formative period ; to hasten the day when the speculators will step out of the established playhouse and let the artists come in : such are the aims of THEATRE ARTS MAGAZINE.