Theatre Arts, Volume 2Sheldon Cheney, Edith Juliet Rich Isaacs Theatre Arts, Incorporated, 1918 |
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Página 28
... characters on the stage , needed the close - up of the movies , to be apparent to the audience . The Players have wasted no time in realizing the opportunity offered by comedy for the carrying of ideas — that vehicle used with such ...
... characters on the stage , needed the close - up of the movies , to be apparent to the audience . The Players have wasted no time in realizing the opportunity offered by comedy for the carrying of ideas — that vehicle used with such ...
Página 29
... character . The Players dared to try out the possi- bility of pure translation because they could do it in one - act doses . They gradually accustomed their patrons to new view - points from distant territories . Altruism , by Karl ...
... character . The Players dared to try out the possi- bility of pure translation because they could do it in one - act doses . They gradually accustomed their patrons to new view - points from distant territories . Altruism , by Karl ...
Página 40
... character of its own , which I be- lieve the term “ sur - réaliste ” is intended to describe , and yet some of us were stirred by its simultaniety and abstract symbol- ism . And there were members of the audience — which I fancy ...
... character of its own , which I be- lieve the term “ sur - réaliste ” is intended to describe , and yet some of us were stirred by its simultaniety and abstract symbol- ism . And there were members of the audience — which I fancy ...
Página 54
... characters , patently added by an unintelligent American manager as concessions to current notions of what Broadway wants , fail to hide the appeal of the Spanish portions of the produc- tion . The American accretions , the press ...
... characters , patently added by an unintelligent American manager as concessions to current notions of what Broadway wants , fail to hide the appeal of the Spanish portions of the produc- tion . The American accretions , the press ...
Página 57
... characters . The Florence Fleming Noyes Dancers were seen in several dance episodes , while John Philip Sousa and his new band of enlisted men furnished martial music before and after the pageant itself . The pageant , with almost the ...
... characters . The Florence Fleming Noyes Dancers were seen in several dance episodes , while John Philip Sousa and his new band of enlisted men furnished martial music before and after the pageant itself . The pageant , with almost the ...
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achieved actors æsthetic amateur American theatre appeared art theatres Arthur Hopkins audience background beauty bill brilliant Broadway CHARLES RANN KENNEDY Chicago Little Theatre City color comedy commercial theatre costumes Crafts criticism curtain dance decoration Detroit director drama Dunsany effect Egmont Arens Erik Satie experimental theatre expression farce George George Jean Nathan Gordon Craig Greek Greenwich Village Theatre ideal ideas interest Isadora Duncan issue Jacques Copeau Lee Simonson light little theatres Lord Dunsany marionettes Maurice Browne ment Miss modern movement offerings one-act plays Opera House organization painter painting performance pictorial picture playhouse playwright poetic poetry present production Provincetown Players published puppets realistic repertory Robert Edmond Jones Rollo Peters scene designer scenery season Sheldon Cheney sincerity sort stage settings stage-craft successful Susan Glaspell THEATRE ARTS MAGAZINE Theatre in December theatrical thing tion tragedy volume Washington Square Players West 42nd Street York
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Página 23 - ... modern school of ballet — wherein each action is an end, and no movement, pose, or rhythm is successive, or can be made to evolve succeeding action — is an expression of degeneration, of living death. All the movements of our modern ballet school are sterile movements, because they are unnatural ; their purpose is to create the delusion that the law of gravitation does not exist for them.
Página 81 - ... ultimately reach a place where it helps mankind to a better human understanding, to a deeper social pity and to a wider tolerance of all that is life...
Página 82 - ... production. What was originally experimental has now become a fixed method, and I hope definitely to demonstrate that there is a way to insure invariably the projection of nearly all the values a play may possess. From the very beginning I had an abhorrence of all that is generally termed theatric. It seemed cheap and tawdry, the trick of the street fakir. I thought for a long time that my prejudice was personal and not well founded. But, finally, all protest and all new seeking began naturally...
Página 85 - new" scenery, much has been said and written, and most of it beside the point. One's position in the matter is entirely determined by which mind he thinks the stage has to do with, the conscious or the unconscious. Realistic settings are designed wholly for conscious appeal. An attempt at exact reproduction challenges the conscious mind of the audience to comparison. Comparison of the scene as it is offered with the auditor's conscious knowledge of what it is supposed to reproduce. If a Childs Restaurant...
Página 23 - It is not only a question of true art, it is a question of race, of the development of the female sex to beauty and health, of the return to the original strength and to natural movements of woman's body. It is a question of the development of perfect mothers and the birth of healthy and beautiful children.
Página 3 - To help conserve and develop creative impulse in the American theatre ; to provide a permanent record of American dramatic art in its formative period ; to hasten the day when the speculators will step out of the established playhouse and let the artists come in : such are the aims of THEATRE ARTS MAGAZINE.