Theatre Arts, Volume 2Sheldon Cheney, Edith Juliet Rich Isaacs Theatre Arts, Incorporated, 1918 |
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Sheldon Cheney, Edith Juliet Rich Isaacs. MAGAZINE An Illustrated Quarterly EDITED BY SHELDON CHENEY VOLUME II NEW YORK 1917-1918 Copyright 1917 , 1918 by Sheldon Cheney 822.95 7345 V. THEATRE ARTS.
Sheldon Cheney, Edith Juliet Rich Isaacs. MAGAZINE An Illustrated Quarterly EDITED BY SHELDON CHENEY VOLUME II NEW YORK 1917-1918 Copyright 1917 , 1918 by Sheldon Cheney 822.95 7345 V. THEATRE ARTS.
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... York we shall be in touch not only with all the " regular " producing theatres , but with the largest of all the scattered groups of insurgent producing companies . The publication will remain primarily the organ of the pro- pressives ...
... York we shall be in touch not only with all the " regular " producing theatres , but with the largest of all the scattered groups of insurgent producing companies . The publication will remain primarily the organ of the pro- pressives ...
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... York ( and of Munich , for that matter ) perennially offers . As the gods pick their way over sallow mounds , papier mâché rocks , so strangely stratified , I seem always to see a dreary corner of suburbia , as yet " undeveloped . " At ...
... York ( and of Munich , for that matter ) perennially offers . As the gods pick their way over sallow mounds , papier mâché rocks , so strangely stratified , I seem always to see a dreary corner of suburbia , as yet " undeveloped . " At ...
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... York , at any rate , they have as yet developed no school of acting as the Abbey Players did , nor bred a pro- ducer whose instinct for theatrical values could for a moment challenge Arthur Hopkins ' or Mrs. Hapgood's ; nor inspired a ...
... York , at any rate , they have as yet developed no school of acting as the Abbey Players did , nor bred a pro- ducer whose instinct for theatrical values could for a moment challenge Arthur Hopkins ' or Mrs. Hapgood's ; nor inspired a ...
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... York Sta- dium , during Barker's presentation of The Trojan Women , the lament of Hecuba evoked pity and terror , although she did not stand in the gloom of drapery and a dark portal . So I would welcome modern painters to the theatre ...
... York Sta- dium , during Barker's presentation of The Trojan Women , the lament of Hecuba evoked pity and terror , although she did not stand in the gloom of drapery and a dark portal . So I would welcome modern painters to the theatre ...
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Página 23 - ... modern school of ballet — wherein each action is an end, and no movement, pose, or rhythm is successive, or can be made to evolve succeeding action — is an expression of degeneration, of living death. All the movements of our modern ballet school are sterile movements, because they are unnatural ; their purpose is to create the delusion that the law of gravitation does not exist for them.
Página 81 - ... ultimately reach a place where it helps mankind to a better human understanding, to a deeper social pity and to a wider tolerance of all that is life...
Página 82 - ... production. What was originally experimental has now become a fixed method, and I hope definitely to demonstrate that there is a way to insure invariably the projection of nearly all the values a play may possess. From the very beginning I had an abhorrence of all that is generally termed theatric. It seemed cheap and tawdry, the trick of the street fakir. I thought for a long time that my prejudice was personal and not well founded. But, finally, all protest and all new seeking began naturally...
Página 85 - new" scenery, much has been said and written, and most of it beside the point. One's position in the matter is entirely determined by which mind he thinks the stage has to do with, the conscious or the unconscious. Realistic settings are designed wholly for conscious appeal. An attempt at exact reproduction challenges the conscious mind of the audience to comparison. Comparison of the scene as it is offered with the auditor's conscious knowledge of what it is supposed to reproduce. If a Childs Restaurant...
Página 23 - It is not only a question of true art, it is a question of race, of the development of the female sex to beauty and health, of the return to the original strength and to natural movements of woman's body. It is a question of the development of perfect mothers and the birth of healthy and beautiful children.
Página 3 - To help conserve and develop creative impulse in the American theatre ; to provide a permanent record of American dramatic art in its formative period ; to hasten the day when the speculators will step out of the established playhouse and let the artists come in : such are the aims of THEATRE ARTS MAGAZINE.