The Works of the English Poets, from Chaucer to Cowper: Including the Series Edited with Prefaces, Biographical and Critical, Volume 2

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J. Johnson, 1810 - 638 páginas
 

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Página 447 - Gascoigne had been on intimate terms, had his portrait in her hands (his "counterfayt," as he calls it), and resolving to part with it to himself alone, wrote a letter to him on the subject, which fell into the hands of his enemies in the camp ; from this paper they meant to have raised a report unfavourable to his loyalty ; but upon its reaching his hands Gascoigne, conscious of his fidelity, laid it immediately before the prince, who saw through their design, and gave him passports for visiting...
Página 481 - Sing lullaby, as women do, Wherewith they bring their babes to rest, And lullaby can I sing too As womanly as can the best. With lullaby they still the child, And if I be not much beguiled, Full many wanton babes have I Which must be stilled with lullaby.
Página xv - ... our old poet Gower in a more advantageous point of view than that in which he has hitherto been usually seen. I know not if any even among the French poets themselves, of this period, have left a set of more finished sonnets : for they were probably written when Gower was a young man, about the year 1350. Nor had yet any English poet treated the passion of love with equal delicacy of sentiment, and elegance of composition.
Página xv - This poem, which bears no immediate reference to the other two divisions, is a dialogue between a lover and his confessor, who is a priest of Venus, and, like the mystagogue in the PICTURE of Cebes, is called Genius. Here, as if it had been impossible for a lover not to be a good catholic, the ritual of religion is applied to the tender passion, and Ovid's Art of Love is blended with the breviary. In the course of the confession, every evil affection of the human heart, which may tend to impede the...
Página 321 - Surrey, we are surprised to find nothing of that metaphysical cast which marks the Italian poets, his supposed masters, especially Petrarch. Surrey's sentiments are for the most part natural and unaffected ; arising from his own feelings, and dictated by the present circumstances*. His poetry is alike unembarrassed by learned allusions, or elaborate conceits. If our author copies Petrarch, it is Petrarch's better manner : when he descends from his Platonic abstractions, his refinements of passion,...
Página 325 - The swift swallow pursueth the flies smale : The busy bee her honey now she mings ; Winter is worn that was the flowers
Página 447 - ... before the prince, who saw through their design, and gave him passports for visiting the lady at the Hague: the burghers, however, watched his motions with malicious caution, and he was called in derision *' The Green Knight." Although disgusted with the ingratitude of those on whose side he fought, Gascoigne still retained his commission, till the prince, coming personally to the siege of Middleburg, gave him an opportunity of displaying his zeal and courage, when the prince rewarded him with...
Página 272 - Chaucer, whan ye mete, As my disciple and my poete. For in the floures of his youth, In sondry wise, as he well couth, Of dittees and of songes glade, The which he for my sake made, The lond fulfilled is over all, Wherof to him in speciall Above all other I am most holde.
Página 295 - In earnest and in game, She was much to blame! Disparaged is her fame, And blemished is her name, In manner half with shame.
Página 290 - Pla ce bo, Who is there, who? Di le xi, Dame Margery ; Fa, re, my, my, Wherfore and why, why ? For the sowle of Philip Sparowe, That was late slayn at Carowe, ~' ~" Among the Nones Blake, For that swete soules sake,

Sobre o autor (1810)

Samuel Johnson was born in 1709, in Lichfield, England. The son of a bookseller, Johnson briefly attended Pembroke College, Oxford, taught school, worked for a printer, and opened a boarding academy with his wife's money before that failed. Moving to London in 1737, Johnson scratched out a living from writing. He regularly contributed articles and moral essays to journals, including the Gentleman's Magazine, the Adventurer, and the Idler, and became known for his poems and satires in imitation of Juvenal. Between 1750 and 1752, he produced the Rambler almost single-handedly. In 1755 Johnson published Dictionary of the English Language, which secured his place in contemporary literary circles. Johnson wrote Rasselas in a week in 1759, trying to earn money to visit his dying mother. He also wrote a widely-read edition of Shakespeare's plays, as well as Journey to the Western Isles of Scotland and Lives of the Poets. Johnson's writing was so thoughtful, powerful, and influential that he was considered a singular authority on all things literary. His stature attracted the attention of James Boswell, whose biography, Life of Johnson, provides much of what we know about its subject. Johnson died in 1784.

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