Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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Seite iv
... Vibrations. Used by permission. Author photo by Marie-Louise Avery TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution, 1045 Westgate Dr., St. Paul, MN 55114. Library of Congress Cataloging ...
... Vibrations. Used by permission. Author photo by Marie-Louise Avery TCG books are exclusively distributed to the book trade by Consortium Book Sales and Distribution, 1045 Westgate Dr., St. Paul, MN 55114. Library of Congress Cataloging ...
Seite 4
... vibrations which are ultimately recognized as an individual voice. Breath lives in the lungs and the lungs extend down to the middle of the torso. The breathing musculature is woven around the rib cage, continues underneath the lungs in ...
... vibrations which are ultimately recognized as an individual voice. Breath lives in the lungs and the lungs extend down to the middle of the torso. The breathing musculature is woven around the rib cage, continues underneath the lungs in ...
Seite 13
... vibrations. If we could actually experience that we live in a universe made of sound and light waves, there might be ... vibrations of the human voice molded by subtle changes in the shape of the channels through which those vibrations ...
... vibrations. If we could actually experience that we live in a universe made of sound and light waves, there might be ... vibrations of the human voice molded by subtle changes in the shape of the channels through which those vibrations ...
Seite 15
... vibration. Because of the direct and uninterrupted connection with the breath source, vowels can be directly connected with emotion, but only if the breath source is as deep as the diaphragm. The solar plexus is knit into the fiber of ...
... vibration. Because of the direct and uninterrupted connection with the breath source, vowels can be directly connected with emotion, but only if the breath source is as deep as the diaphragm. The solar plexus is knit into the fiber of ...
Seite 16
... vibrations of sound. Picture spaces within you that go from the head down through the chest, the belly, the pelvic cradle and the thighs to the toes. Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
... vibrations of sound. Picture spaces within you that go from the head down through the chest, the belly, the pelvic cradle and the thighs to the toes. Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale