Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Im Buch
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Seite 4
... thought and language has moved from the body. into. the. head. In. general,. the. experience. of. "who. I. am". now. exists. in. the head, behind the face. The function of the body is merely to transport the “I think, therefore I am" person ...
... thought and language has moved from the body. into. the. head. In. general,. the. experience. of. "who. I. am". now. exists. in. the head, behind the face. The function of the body is merely to transport the “I think, therefore I am" person ...
Seite 6
... Thought was experienced in the body. Emotions inhabited the organs of the body. Filled with thought and feeling, the sound waves of the voice flowed out through the body and were received sensorially by other bodies which directly ...
... Thought was experienced in the body. Emotions inhabited the organs of the body. Filled with thought and feeling, the sound waves of the voice flowed out through the body and were received sensorially by other bodies which directly ...
Seite 7
... thought. To release its potential we must dissolve the limitations imposed by twentieth-century upbringing and awaken the dormant power that brings breath into every cell of the body and rstores largesse of expression and stature to the ...
... thought. To release its potential we must dissolve the limitations imposed by twentieth-century upbringing and awaken the dormant power that brings breath into every cell of the body and rstores largesse of expression and stature to the ...
Seite 11
... thought. Vowels and consonants in one form or another have been around for tens (perhaps hundreds) of thousands of years and, taking that perspective, it is only in the last millisecond of time that they have moved from an oral to a ...
... thought. Vowels and consonants in one form or another have been around for tens (perhaps hundreds) of thousands of years and, taking that perspective, it is only in the last millisecond of time that they have moved from an oral to a ...
Seite 14
... thought the result is kaleidoscopic harmony. Consciously or unconsciously, a great poet uses the sounds within words to communicate mood and accentuate meaning. Shakespeare's use of words can paint scenery, change day into night ...
... thought the result is kaleidoscopic harmony. Consciously or unconsciously, a great poet uses the sounds within words to communicate mood and accentuate meaning. Shakespeare's use of words can paint scenery, change day into night ...
Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale