Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Im Buch
Ergebnisse 1-5 von 31
Seite 2
... Poetic Meter and Poetic Form (Random House). I am most recently grateful to Carol Gilligan and her book In a Different Voice (Harvard University Press). My heartfelt acknowledgments go to those teachers and fellow workers and students ...
... Poetic Meter and Poetic Form (Random House). I am most recently grateful to Carol Gilligan and her book In a Different Voice (Harvard University Press). My heartfelt acknowledgments go to those teachers and fellow workers and students ...
Seite 3
... poetic grandeur. It is the actor's own raw material that makes a character believable. Out of the actor/person's own emotions, intellect, memories, imagination, tragedies, loves, hates, family history, dreams, soul, voice and body a ...
... poetic grandeur. It is the actor's own raw material that makes a character believable. Out of the actor/person's own emotions, intellect, memories, imagination, tragedies, loves, hates, family history, dreams, soul, voice and body a ...
Seite 14
... poet uses the sounds within words to communicate mood and accentuate meaning. Shakespeare's use of words can paint scenery, change day into night, provoke attack and evoke emotion, not only through imagery but through the sounds that ...
... poet uses the sounds within words to communicate mood and accentuate meaning. Shakespeare's use of words can paint scenery, change day into night, provoke attack and evoke emotion, not only through imagery but through the sounds that ...
Seite 19
... access to the solar plexus, making them more immediately emotional. The characters of consonants are multifarious. For the purposes of consciousness-raising and the heightened enjoyment of the language of poetry, Vowels and Consonants 19.
... access to the solar plexus, making them more immediately emotional. The characters of consonants are multifarious. For the purposes of consciousness-raising and the heightened enjoyment of the language of poetry, Vowels and Consonants 19.
Seite 20
... poetry, I suggest you go through a series of consonant experiences that deliberately connect consonants with your senses and your imagination. The gymnasium of the mouth offers, for the exercise of twenty distinct consonants, two lips ...
... poetry, I suggest you go through a series of consonant experiences that deliberately connect consonants with your senses and your imagination. The gymnasium of the mouth offers, for the exercise of twenty distinct consonants, two lips ...
Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale