Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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Seite 6
... hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words that count, it's the behavior. The truth of what you are doing is where the truth lies, not what you're saying. Play the subtext not the text. Play ...
... hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words that count, it's the behavior. The truth of what you are doing is where the truth lies, not what you're saying. Play the subtext not the text. Play ...
Seite 14
... hear more cerebrally than in the age of oral communication, but “whole-body” speaking and listening is still operative even though we may not be consciously tuned in to it. Actors who want to tune in to Shakespeare's text and ...
... hear more cerebrally than in the age of oral communication, but “whole-body” speaking and listening is still operative even though we may not be consciously tuned in to it. Actors who want to tune in to Shakespeare's text and ...
Seite 23
... hear OO-UH making up W and. EE-UH making up Y. They are liquid, powerful and suggestive. If you have fully given yourself to this exploration—the exploration of you by the sounds, not the other way around–you will have experienced a ...
... hear OO-UH making up W and. EE-UH making up Y. They are liquid, powerful and suggestive. If you have fully given yourself to this exploration—the exploration of you by the sounds, not the other way around–you will have experienced a ...
Seite 28
... Hear the shrill whistle which doth order give To sounds confus'd; behold the threaden sails, Borne with th'invisible and creeping wind, Draw the huge bottoms through the furrow'd sea, Breasting the lofty surge. O, do but think You stand ...
... Hear the shrill whistle which doth order give To sounds confus'd; behold the threaden sails, Borne with th'invisible and creeping wind, Draw the huge bottoms through the furrow'd sea, Breasting the lofty surge. O, do but think You stand ...
Seite 45
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Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale