Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Im Buch
Ergebnisse 1-5 von 43
Seite 2
... feel for his caring and careful editing. And I am deeply grateful to my beloved brother, Andro Linklater, for last-minute quality control. Neil Freeman! Thank you! Always I acknowledge my teacher, Iris Warren, with respect and gratitude ...
... feel for his caring and careful editing. And I am deeply grateful to my beloved brother, Andro Linklater, for last-minute quality control. Neil Freeman! Thank you! Always I acknowledge my teacher, Iris Warren, with respect and gratitude ...
Seite 7
... feel and to process for yourself the sounds, words, emotions, language forms and verse structure that constitute a Shakespearean text. I would urge the actor who knows that his or her voice is not yet ready for big demands to find a ...
... feel and to process for yourself the sounds, words, emotions, language forms and verse structure that constitute a Shakespearean text. I would urge the actor who knows that his or her voice is not yet ready for big demands to find a ...
Seite 12
... feel these days, and if I had not yet built a language for naming my tree, dumbstruck, I would go looking for a ... feeling that was contained in that particular tree. Aiw would become EVER, and AYE, and EON and AGE. The Sanskrit ...
... feel these days, and if I had not yet built a language for naming my tree, dumbstruck, I would go looking for a ... feeling that was contained in that particular tree. Aiw would become EVER, and AYE, and EON and AGE. The Sanskrit ...
Seite 14
... feel of vowels and consonants, to the anatomy of words as well as their meaning. They can/should/must re-connect the neuro-physiological circuitry that allows the senses and the emotions to be informed by the taste, touch, color and ...
... feel of vowels and consonants, to the anatomy of words as well as their meaning. They can/should/must re-connect the neuro-physiological circuitry that allows the senses and the emotions to be informed by the taste, touch, color and ...
Seite 16
... feeling of relief fall out of you without restraint, on a free breath, without sound. Feed in another deeply felt sigh of relief and this time let it release out ... Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
... feeling of relief fall out of you without restraint, on a free breath, without sound. Feed in another deeply felt sigh of relief and this time let it release out ... Feel the breath moving into you and out of you 16 THE CONTENT: LANGUAGE.
Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale