Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01.01.1993 - 224 Seiten A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
Im Buch
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Seite i
The Actor's Guide to Talking the Text Kristin Linklater. F R E E IN G Shakespeare's VOICE F R E E IN G Shakespeare's VOICE The Actor's.
The Actor's Guide to Talking the Text Kristin Linklater. F R E E IN G Shakespeare's VOICE F R E E IN G Shakespeare's VOICE The Actor's.
Seite iii
The Actor's Guide to Talking the Text Kristin Linklater. F R E E IN G Shakespeare's VOICE The Actor's Guide to Talking the Text KRISTIN LINKLATER Theatre Communications Group 1992 Copyright © 1992 by Kristin Linklater Freeing ...
The Actor's Guide to Talking the Text Kristin Linklater. F R E E IN G Shakespeare's VOICE The Actor's Guide to Talking the Text KRISTIN LINKLATER Theatre Communications Group 1992 Copyright © 1992 by Kristin Linklater Freeing ...
Seite iv
... actor's guide to talking the text / Kristin Linklater—1st ed. ISBN-13: 978-1-55936-031-9 1. Shakespeare, William 1564–1616—Dramatic production. eISBN 978-1-55936-638-0 2. Shakespeare, William, 1564–1616—Language. 3. Voice culture. 4. Acting ...
... actor's guide to talking the text / Kristin Linklater—1st ed. ISBN-13: 978-1-55936-031-9 1. Shakespeare, William 1564–1616—Dramatic production. eISBN 978-1-55936-638-0 2. Shakespeare, William, 1564–1616—Language. 3. Voice culture. 4. Acting ...
Seite vii
The Actor's Guide to Talking the Text Kristin Linklater. <> COntents <> Prologue Introduction THE CONTENT: LANGUAGE Chapter One: Vowels and Consonants Chapter Two: Words and Images Chapter Three: Words into Phrases Chapter Four ...
The Actor's Guide to Talking the Text Kristin Linklater. <> COntents <> Prologue Introduction THE CONTENT: LANGUAGE Chapter One: Vowels and Consonants Chapter Two: Words and Images Chapter Three: Words into Phrases Chapter Four ...
Seite 1
... actor should read and which are by no means replaced by this one. In this book the actor will find an organic approach to the language which s/he may not find elsewhere, but the information on verse-speaking, rhetoric, Elizabethan ...
... actor should read and which are by no means replaced by this one. In this book the actor will find an organic approach to the language which s/he may not find elsewhere, but the information on verse-speaking, rhetoric, Elizabethan ...
Inhalt
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
Andere Ausgaben - Alle anzeigen
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Eingeschränkte Leseprobe - 1992 |
Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text Kristin Linklater Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale