The Story of All Things: Writing the Self in English Renaissance Narrative Poetry
Duke University Press, 1998 - 347 Seiten
In The Story of All Things Marshall Grossman analyzes the influence of major cultural developments, as well as significant events in the lives of Renaissance poets, to show how specific narratives characterize distinctive conceptions of the self in relation to historical action. To explore these conceptions of the self, Grossman focuses on the narrative poetry in the English Renaissance of the sixteenth and seventeenth centuries.
Relating subjectivity to the nature of language, Grossman uses the theories of Lacan to analyze the concept of the self as it encounters a transforming environment. He shows how ideological tensions arose from the reorganization and "modernization" of social life in revolutionary England and how the major poets of the time represented the division of the self in writings that are suspended between lyric and narrative genres. Beginning with the portrayals of the self inherited from Augustine, Dante, and Petrarch, he describes the influence of historic developments such as innovations in agricultural technology, civil war and regicide, and the emergence of republican state institutions on the changing representation of characters in the works of Spenser, Donne, Marvell, and Milton. Furthering this psychoanalytic critique of literary history, Grossman probes the linguistic effects of social and personal factors such as Augustine's strained relationship with his mother and the marital disharmony of Milton and Mary Powell. With its focus on these and other "literary historical events," The Story of All Things not only proposes a new structural theory of narrative but constitutes a significant challenge to New Historicist conceptions of the self.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Literary Forms and Historical Consciousness in Renaissance Poetry
The Subject of Narrative and the Rhetoric of the Self
Augustine and the Rhetoric of the Christian Ego
A Case of History
Allegory Irony and the Rebus in Marvells
The Hyphen in the Mouth of Modernity
Andere Ausgaben - Alle anzeigen
action Adam allegory appears argues articulation Augustine Augustine's authority becomes beginning body chapter character comes construction contained context continuity critical desire determined dialectic difference discourse discussion divine Donne Donne's effect Elizabeth encounter English example experience fact Faerie Queene father figure fish follow formal given House human individual John language lines literary literary history Lost lyric marks material meaning mediation memory metaphor metonymy Milton moment mother narration narrative nature object once origin Paradise particular past play poem poet poetic poetry political position precisely present production psychoanalysis question reading reference reflection relation remains Renaissance representation represented rhetorical scene sense signifier social speak specifically Spenser's story structure symbolic temporal things thou thought tion trans tropes truth turn understand University Press voice woman writing
Alle Ergebnisse von Google Books »
Performing Early Modern Trauma from Shakespeare to Milton
Thomas Page Anderson
Eingeschränkte Leseprobe - 2006