The Masks of HamletUniversity of Delaware Press, 1992 - 971 páginas In this work, Rosenberg insists again and again that only the individual reader or actor can determine Shakespeare's design of Hamlet's character -- and of the play. To interpret Hamlet's words and actions at the many crises, the reader needs to double in the role of actor, imagining the character from the inside and observing from the outside. Winner of the Theatre Library Association Award for 1993. |
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Página 103
... Kachalov , who was a sweet Hamlet for Craig and Stanislavsky , to have played the prince as Craig wished it would have been humanly impossible . Craig saw Hamlet no ordinary man ; his words and looks and actions are so extraordinary ...
... Kachalov , who was a sweet Hamlet for Craig and Stanislavsky , to have played the prince as Craig wished it would have been humanly impossible . Craig saw Hamlet no ordinary man ; his words and looks and actions are so extraordinary ...
Página 407
... Kachalov , after a first warm greeting , began to cool off , " the scene becomes filled with inner tension , " he feigned his affection , made games of pinching them , hard enough that they jumped as if stung . The growing force in him ...
... Kachalov , after a first warm greeting , began to cool off , " the scene becomes filled with inner tension , " he feigned his affection , made games of pinching them , hard enough that they jumped as if stung . The growing force in him ...
Página 843
... Kachalov picked it up lovingly in his cloak ( Narodni Listi 9,20,1921 ) ; Vysottsky tenderly wrapped it . Bergman's Hamlet cradled the skull , and rocked it . Once Hamlet acknowledges the skull , the memories flood back . He marvels at ...
... Kachalov picked it up lovingly in his cloak ( Narodni Listi 9,20,1921 ) ; Vysottsky tenderly wrapped it . Bergman's Hamlet cradled the skull , and rocked it . Once Hamlet acknowledges the skull , the memories flood back . He marvels at ...
Conteúdo
Act I Scene i Part | 1 |
Gertrude | 10 |
Act I Scene ii Part | 36 |
Direitos autorais | |
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action actor actor-reader Alan Howard antic arms arras asks audience begins Booth Burton character Charles Kean Charles Kemble Claudius court courtiers dangerous death Denmark Dover Wilson emotional eyes face father fear Fechter feel felt fierce Fortinbras G. B. Shaw Garrick Gertrude Gertrude's gesture Ghost Gielgud grief hand head Horatio impulse Irving Jacobi Kachalov Kainz Kean Kemble kill kind King King's kiss Laertes later laugh lonius look Marcellus mask McKellen's mood mother Mousetrap moved murder mystery observed Olivier Ophelia passion pause perhaps physical play Player Polonius polyphony power Hamlet Prince Queen revenge role Rosencrantz and Guildenstern scene seems seen sense sexual Shakespeare shock soliloquy sometimes Sothern soul sound speak speech spies spoke stage subtext suddenly suggests sweet Hamlet sword tears tenderness theatre thought tone touch tried trying turned usually violence voice whisper Wittenberg words young