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" The love that is so chaste and dignified in Portia — so airy-delicate, and fearless in Miranda — so sweetly confiding in Perdita— so playfully fond in Rosalind — so constant in Imogen — so devoted in Desdemona — so fervent in Helen — so... "
Belle Assemblée: Or, Court and Fashionable Magazine; Containing Interesting ... - Página 269
1832
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Characteristics of women, moral, poetical and historical, Volume 1

Anna Brownell Jameson - 1832 - 378 páginas
...or are capable of loving ; but Juliet is love itself. The passion is her state of being, and out of it she has no existence. It is the soul within her...reminds us of nothing but her own sweet self: or if she does, it is of the Gismunda, or the Lisetta, or the Fiamminetta of Boccaccio, to whom she is allied,...
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The American Monthly Magazine, Volume 3

1837 - 1322 páginas
...she has no existence. It is the soul within her soul ; the pulse within her heart ; the life blood along her veins, blending with every atom of her frame....reminds us of nothing but her own sweet self: or if she does, it is of the Gismunda, or the Lisetta, or the Fiammetla of Boccaccio, to whom she is allied,...
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Characteristics of Women, Moral, Poetical, and Historical

Mrs. Jameson (Anna) - 1837 - 400 páginas
...she has no existence. It is the soul within her soul ; the pulse within her heart ; the life blood along her veins, blending with every atom of her frame....reminds us of nothing but her own sweet self: or if she does, it is of the Gismunda, or the Lisetta, or the Fiammetta of Boccaccio, to whom she is allied,...
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The American Monthly Magazine, Volume 4;Volume 10

1837 - 624 páginas
...with every atom of her frame. The love that is so chaste and dignified in Portia — so airy -delicate and fearless in Miranda — so sweetly confiding in...reminds us of nothing but her own sweet self: or if she does, it is of the Gismurtda, or the Lisetta, or the Fiammetta of Boccaccio, to whom she is allied,...
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Characteristics of Women: Moral, Poetical, and Historical

Mrs. Jameson (Anna) - 1850 - 398 páginas
...dignified in Portia — so airy-delicate and fearless in Miranda — so sweetly confiding in Pcrdita — so playfully fond in Rosalind — so constant in Imogen...reminds us of nothing but her own sweet self; or if she does, it is of the Gismunda, or the Lisetta, or the Fiammetta of Boccaccio, to whom she is allied,...
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Characteristics of Women: Moral, Poetical, and Historical

Anna Brownell Jameson, Mrs. Jameson (Anna) - 1858 - 314 páginas
...veins, "blending with every atom of her frame." The love that is so chaste and dignified in VOL. I. M Portia — so airy-delicate and fearless in Miranda...reminds us of nothing but her own sweet self; or if she does, it is of the Gismunda, or the Lisetta, or the Fiametta of Boccaccio, to whom she is allied, not...
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Characteristics of Women, Moral, Poetical, and Historical

Mrs. Jameson (Anna) - 1865 - 536 páginas
...but Juliet is love itself. The passion is . her state of being, and out of it she has no exist" ence. It is the soul within her soul ; the pulse within...reminds us of nothing but her own sweet self; or if she does, it is of the Gismunda, or the Lisetta, or the Piammetta of Boccaccio, to whom she is allied,...
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An Explanatory and Pronouncing Dictionary of the Noted Names of Fiction ...

William Adolphus Wheeler - 1865 - 462 páginas
...pulse within her heart ; the life-blood along her Teins, 1 blending with every atom of her frame.1 The love that is so chaste and dignified in Portia...in Viola, — is each and all of these in Juliet." Mrs. Jameson. The hyperbole of Juliet Beemed to be verified with respect to them. " Upon their brows...
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An Explanatory and Pronouncing Dictionary of the Noted Names of Fiction ...

William Adolphus Wheeler - 1872 - 462 páginas
...within her soul ; tbe pulse within hor heart ; the life-blood along her veins, 'blending with every ntom of her frame.' The love that is so chaste and dignified...in Viola, — is each and all of these in Juliet." Mrs. Jameson. The hyperbole of Juliet seemed to be verified with respect to them. " Upon their brow§...
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Shakespeare's Dramatic Art: History and Character of Shakespeare's ..., Volume 1

Hermann Ulrici - 1876 - 598 páginas
...— so airy delicate and fearless in Miranda — so sweetly confiding in Perdita — so playt'ullj fond in Rosalind — so constant in Imogen — so...tender in Viola — is each and all of these in Juliet ; but she reminds us of nothing but her own sweet self.' In fact, this ' sweet self ' is wholly love,...
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