Oral Reading & Public SpeakingRichard G. Badger, 1918 - 499 páginas |
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Página x
... Practice . CHAPTER II . ESSENTIAL ELEMENTS THE AUDIENCE General Characteristics - Kinds - Exercises . PAGE 122 134 153 167 184 CHAPTER III . ESSENTIAL ELEMENTS THE SPEECH 193 Material — Style - Unity - Clearness - Force - Elegance — Ex ...
... Practice . CHAPTER II . ESSENTIAL ELEMENTS THE AUDIENCE General Characteristics - Kinds - Exercises . PAGE 122 134 153 167 184 CHAPTER III . ESSENTIAL ELEMENTS THE SPEECH 193 Material — Style - Unity - Clearness - Force - Elegance — Ex ...
Página xi
... - Exercises . PAGE 260 • 265 276 SELECTIONS FOR PRACTICE PART THREE 295 Poetry • • 299 Prose 401 Selections appear in the Index under Title and Author PART ONE ORAL READING ORAL READING AND PUBLIC SPEAKING CHAPTER Contents xi.
... - Exercises . PAGE 260 • 265 276 SELECTIONS FOR PRACTICE PART THREE 295 Poetry • • 299 Prose 401 Selections appear in the Index under Title and Author PART ONE ORAL READING ORAL READING AND PUBLIC SPEAKING CHAPTER Contents xi.
Página 17
... practice of the olden time , when the family gathered together to hear a book read by some one of their number , gave the family a unit now largely lost . The picture of Longfellow is realized rarely to - day when a member of the ...
... practice of the olden time , when the family gathered together to hear a book read by some one of their number , gave the family a unit now largely lost . The picture of Longfellow is realized rarely to - day when a member of the ...
Página 20
... practice of the art of reading and speak- ing . If you expect to communicate with your associates , you need a pleasing conversation ; if you intend to convince them , you need a logical and forceful address ; 20 Oral Reading and Public ...
... practice of the art of reading and speak- ing . If you expect to communicate with your associates , you need a pleasing conversation ; if you intend to convince them , you need a logical and forceful address ; 20 Oral Reading and Public ...
Página 21
... Practice alone does not make perfect ; but practice under criticism . Be your own critic to a large degree . Heed well the suggestions made by your instructor . Remember that what is worth doing at all is worth doing well . One of the ...
... Practice alone does not make perfect ; but practice under criticism . Be your own critic to a large degree . Heed well the suggestions made by your instructor . Remember that what is worth doing at all is worth doing well . One of the ...
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Termos e frases comuns
argument articulation audience beautiful bells Billy Sunday body brave breath Brutus Cæsar called Catiline Circumflex crowd dead death debate delivered delivery Demosthenes effective eloquence emotions emphasis England example exercises expression extempore eyes father feel force Freedom calls gesture give hand hard palate hear heard hearer heart honor human voice ideas inflection Julius Cæsar King lips live look Lord loud meaning message to Garcia method mind mouth natural never oral orator pause phrases pitch poem Poet practice public speaking reader reading reason rising selection sentence SHAKESPEARE side sing soft palate song soul sound speaker speech stand stanza student style suggested tell temperance movement Tennyson thee thing thou thought throat tion tone tongue truth unto usually vibrations vocal cords voice Warren Hastings words
Passagens mais conhecidas
Página 423 - Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude , that would not be a Roman? If any, speak; for him have I offended. Who is here so vile, that will not love his country? If any, speak; for him have I offended. I pause for a reply.
Página 394 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life ; But that the dread of something after death, — The undiscovered country, from whose bourn No traveller returns, — puzzles the will ; And makes us rather bear those ills we have, Than fly to others that we know not of? Thus conscience does make cowards of us all...
Página 408 - And he arose, and came to his father. But when he was yet a great way off, his father saw him, and had compassion, and ran, and fell on his neck, and kissed him.
Página 322 - For you bouquets and ribbon'd wreaths— for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead.
Página 397 - Let's dry our eyes ; and thus far hear me, Cromwell ; And when I am forgotten, as I shall be, And sleep in dull cold marble, where no mention Of me more must be heard of, say I taught thee...
Página 408 - And he, answering, said to his father, Lo, these many years do I serve thee; neither transgressed I at any time thy commandment; and yet thou never gavest me a kid, that I might make merry with my friends: 30.
Página 69 - Be that word our sign of parting, bird or fiend!" I shrieked, upstarting "Get thee back into the tempest and the Night's Plutonian shore ! Leave no black plume as a token of that lie thy soul hath spoken ! Leave my loneliness unbroken! quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!
Página 112 - For the moon never beams without bringing me dreams Of the beautiful ANNABEL LEE ; And the stars never rise, but I feel the bright eyes Of the beautiful ANNABEL LEE.
Página 92 - midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way ? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along.
Página 399 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...