A History of Experimental Film and Video

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Bloomsbury Academic, 1 de mar. de 1999 - 256 páginas
Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse.

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The canonical avantgarde
15
Notes
121
Britain 196698
138
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Sobre o autor (1999)

A.L. Rees is Senior Research Fellow at the Royal College of Art.

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