Materialist Shakespeare: A HistoryIvo Kamps Verso, 1995 - 342 páginas Receptive to influences of such diverse theorists as Derrida, Jameson, Foucault, Irigaray, Kristeva, Lacan and Althusser, materialist Shakespeare criticism has long since left behind the days of 'vulgar' Marxism and has emerged as a rich interpretive practice. The essays chosen for this book cover all of Shakespeare's dramatic genres and include works on King Lear, Othello, As You Like It, Measure for Measure, The Tempest, The Merchant of Venice, Henry V, Macbeth, The Taming of the Shrew and Julius Caesar. Contributors: Paul Delany; Louis Adrian Montrose; Walter Cohen; Alan Sinfield; Stephen Greenblatt; Michael D. Bristol; Katherine Eismann Maus; James R. Andreas; Robert Weimann; Graham Holderness; Lynda E. Boose; John Drakakis; Claire McEacherm; Frederic Jameson; and Ivo Kamps. |
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Conteúdo
King Lear and the Decline of Feudalism | 20 |
Social Process | 39 |
The Merchant of Venice and the Possibilities of Historical | 71 |
History Ideology and Intellectuals | 93 |
Martial Law in the Land of Cockaigne | 108 |
Charivari and the Comedy of Abjection in Othello | 142 |
Inwardness and Its Exposure | 157 |
Othellos African American Progeny | 181 |
The Uses of Authority | 198 |
Shakespeare and National Identities | 218 |
Taming the Womans | 239 |
Julius Caesar and the Politics | 280 |
The Permanent Revolution | 320 |
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actor Alan Sinfield anxiety argues aristocratic audience authority behaviour body Branagh brother Brushfield Caesar Cambridge century characters charivari comedy comic common contemporary context cucking stool cultural Desdemona difference discourse dramatic Duke early modern Elizabethan England English Renaissance essay fantasy father female fiction Fredric Jameson gender Greenblatt Henry historicism human husband Iago identity ideology imagined interpretation Jonathan Dollimore Julius Caesar Kate King Lear language Latimer Lear's literary literature London Louis Montrose Macbeth male marriage Marxist materialist criticism means Merchant of Venice monarch narrative nature Orlando Othello patriarchal performance play's pleasure political practice Press primogeniture production Prospero punishment racism radical reading relations relationship representation represented ritual role Rosalind royal scene scold scold's bridle seems sexual Shakespeare Shakespeare's play Shrew Shylock Sinfield sixteenth social society space stage suggests Taming theatre theatrical Thomas thou tongue traditional tragedy Univ violence woman women York younger