King LearRandom House Publishing Group, 04.08.2009 - 272 Seiten A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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... Performance : Karin Brown ( RSC stagings ) , Jan Sewell ( overview ) , Jonathan Bate ( captions ) The Director's Cut ( interviews by Jonathan Bate and Kevin Wright ) : Adrian Noble , Deborah Warner , Trevor Nunn Editorial Advisory Board ...
... Performance : Karin Brown ( RSC stagings ) , Jan Sewell ( overview ) , Jonathan Bate ( captions ) The Director's Cut ( interviews by Jonathan Bate and Kevin Wright ) : Adrian Noble , Deborah Warner , Trevor Nunn Editorial Advisory Board ...
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... Performance : The RSC and Beyond 156 Four Centuries of King Lear : An Overview 156 At the RSC 165 The Director's Cut : Interviews with Adrian Noble , Deborah Warner , and Trevor Nunn 182 Shakespeare's Career in the Theater 203 ...
... Performance : The RSC and Beyond 156 Four Centuries of King Lear : An Overview 156 At the RSC 165 The Director's Cut : Interviews with Adrian Noble , Deborah Warner , and Trevor Nunn 182 Shakespeare's Career in the Theater 203 ...
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... . You must let even the wits , the sanity , go . What you must keep are the pity and the blessing . Pity and blessing are at the very heart of King Lear . Pity means the performance of certain deeds , such as showing Xiv INTRODUCTION.
... . You must let even the wits , the sanity , go . What you must keep are the pity and the blessing . Pity and blessing are at the very heart of King Lear . Pity means the performance of certain deeds , such as showing Xiv INTRODUCTION.
Seite xv
William Shakespeare Jonathan Bate, Eric Rasmussen. means the performance of certain deeds , such as showing kindness to strangers . Blessing is a performative speech act , an utterance that effects an action by the very act of being ...
William Shakespeare Jonathan Bate, Eric Rasmussen. means the performance of certain deeds , such as showing kindness to strangers . Blessing is a performative speech act , an utterance that effects an action by the very act of being ...
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Inhalt
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Häufige Begriffe und Wortgruppen
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain