King LearRandom House Publishing Group, 04.08.2009 - 272 Seiten A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Seite ix
... Regan have a case for stripping him of his rowdy , extravagant retinue of one hundred knights . Lear's mistake is to link the division of the kingdom to a public show of affection . The two older sisters , well versed in the " glib and ...
... Regan have a case for stripping him of his rowdy , extravagant retinue of one hundred knights . Lear's mistake is to link the division of the kingdom to a public show of affection . The two older sisters , well versed in the " glib and ...
Seite xiii
... Regan , Cornwall , Edmund , and the rest . Their madness is what Lear rejects . The second madness is the desirable one , the state of folly in which " a certain pleasant raving , or error of the mind , delivereth the heart of that man ...
... Regan , Cornwall , Edmund , and the rest . Their madness is what Lear rejects . The second madness is the desirable one , the state of folly in which " a certain pleasant raving , or error of the mind , delivereth the heart of that man ...
Seite xxix
... Regan ( 5 % / 73 / 8 ) , Duke of Albany ( 5 % / 58 / 5 ) , Cordelia ( 3 % / 31 / 4 ) , Duke of Cornwall ( 3 % / 63 / 5 ) , Oswald ( 2 % / 38 / 7 ) . LINGUISTIC MEDIUM : 75 % verse , 25 % prose . DATE : 1605-6 . Performed at court ...
... Regan ( 5 % / 73 / 8 ) , Duke of Albany ( 5 % / 58 / 5 ) , Cordelia ( 3 % / 31 / 4 ) , Duke of Cornwall ( 3 % / 63 / 5 ) , Oswald ( 2 % / 38 / 7 ) . LINGUISTIC MEDIUM : 75 % verse , 25 % prose . DATE : 1605-6 . Performed at court ...
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Inhalt
Textual Notes | 122 |
ScenebyScene Analysis | 142 |
The RSC and Beyond | 156 |
Shakespeares Career in the Theater | 203 |
A Chronology | 218 |
References | 226 |
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Häufige Begriffe und Wortgruppen
Act 4 Scene actor Adrian Noble Alack Albany Albany's Antony Antony Sher audience bastard beggar blind Brian Cox Burgundy Cordelia Corin Redgrave CORNWALL daughters death disguised dost Dover Duke Duke of Cornwall Edgar editors Edmund Enter Lear Exeunt Exit eyes father feel Following fortune France GENTLEMAN give gods Goneril Goneril and Regan grace hath heart human Ian McKellen Jonathan Bate KENT KENT LEAR King Lear kingdom knave LEAR FOOL LEAR KENT Lear's letter Lines look lord madam messenger Michael Gambon nature night nuncle performance Peter Brook pity played Lear poor Pray production Q corrected Q uncorrected Quarto text Regan role Royal Shakespeare Company running scene sense servant Shake Shakespeare sister speak speech stage storm tell theater thee there's thine things Tragedy traitor Trevor Nunn trumpet villain