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The rude unguided year. Thin wave the gifts
Of yellow Ceres, thin the radiant blush
Of orchard reddens in the warmest ray.
To weedy wildness run, no rural wealth
(Such as dictators fed) the garden pours.
Crude the wild olive flows, and foul the vine;
Nor juice Cæcubian, or Falernian, more,
Streams life and joy, save in the Muse's bowl.
Unseconded by art, the spinning race

Draw the bright thread in vain, and idly toil.
In vain, forlorn in wilds, the citron blows;
And flowering plants perfume the desert gale.
Through the vile thorn the tender myrtle twines:
Inglorious droops the laurel, dead to song,
And long a stranger to the hero's brow.

Nor half thy triumph this: cast, from brute
fields,

Into the haunts of men thy ruthless eye,
There buxom Plenty never turns her horn;
The grace and virtue of exterior life,

No clean convenience reigns; e'en sleep itself,
Least delicate of powers, reluctant, there,
Lays on the bed impure his heavy head.
Thy horrid walk! dead, empty, unadorn'd,
See streets whose echoes never know the voice
Of cheerful hurry, commerce many-tongued,
And art mechanic at his various task,

Fervent, employ'd. Mark the desponding race,
Of occupation void, as void of hope;

Hope, the glad ray, glanced from Eternal Good,
That life enlivens, and exalts its powers,
With views of fortune-madness all to them!
By thee relentless seized their better joys,
To the soft aid of cordial airs they fly,

Breathing a kind oblivion o'er their woes,
And love and music melt their souls away.
From feeble Justice, see how rash Revenge,
Trembling, the balance snatches; and the sword,
Fearful himself, to venal ruffians gives.

See where God's altar, nursing murder, stands,
With the red touch of dark assassins stain'd.

• But chief let Rome, the mighty city! speak The full-exerted genius of thy reign.

Behold her rise amid the lifeless waste,
Expiring Nature all corrupted round;

While the lone Tiber, through the desert plain,
Winds his waste stores, and sullen sweeps along.
Patch'd from my fragments, in unsolid pomp,
Mark how the temple glares; and, artful dress'd,
Amusive, draws the superstitious train.
Mark how the palace lifts a lying front,
Concealing often, in magnific gaol,
Proud want; a deep unanimated gloom!
And oft adjoining to the drear abode
Of misery, whose melancholy walls
Seem its voracious grandeur to reproach.
Within the city bounds, the desert see.
See the rank vine o'er subterranean roofs,
Indecent, spread; beneath whose fretted gold
It once, exulting, flow'd. The people mark,
Matchless, while fired by me; to public good
Inexorably firm, just, generous, brave,
Afraid of nothing but unworthy life,
Elate with glory, an heroic soul

Known to the vulgar breast: behold them now
A thin despairing number, all-subdued,
The slaves of slaves, by superstition fool'd,
By vice unmann'd, and a licentious rule;

In guile ingenious, and in murder brave.
Such in one land, beneath the same fair clime,
Thy sons, Oppression, are; and such were MINE.
E'en with thy labour'd pomp, for whose vain
show

Deluded thousands starve; all age-begrimed,
Torn, robb'd and scatter'd in unnumber'd sacks,
And by the tempest of two thousand years
Continual shaken, let my ruins vie.

These roads that yet the Roman hand assert,
Beyond the weak repair of modern toil;

These fractured arches, that the chiding stream
No more delighted hear; these rich remains
Of marbles now unknown, where shines imbibed
Each parent ray; these massy columns, hew'd
From Afric's farthest shore; one granite all,
These obelisks high-towering to the sky,
Mysterious mark'd with dark Egyptian lore;
These endless wonders that this sacred' way
Illumine still, and consecrate to fame;

These fountains, vases, urns, and statues, charged
With the fine stores of art-completing Greece.
Mine is, besides, thy every later boast:
Thy Buonarotis, thy Palladios, mine;

And mine the fair designs, which Raphael's3 soul
O'er the live canvass, emanating, breathed.

'What would you say, ye conquerors of earth! Ye Romans! could you raise the laurel'd head; Could you the country see, by seas of blood, And the dread toil of ages, won so dear;

* Via Sacra.

3 Michael Angelo Buonaroti, Palladio, and Raphael D'Urbino; the three great modern masters in sculpture, architecture, and painting.

Your pride, your triumph, your supreme delight!
For whose defence oft, in the doubtful hour,
You rush'd with rapture down the gulf of Fate,
Of death ambitious! till by awful deeds,
Virtues, and courage, that amaze mankind,
The queen of nations rose; possess'd of all
Which Nature, Art, and Glory could bestow;
What would you say, deep in the last abyss
Of slavery, vice, and unambitious want,
Thus to behold her sunk? your crowded plains,
Void of their cities; unadorn'd your hills;
Ungraced your lakes; your ports to ships un-
known;

Your lawless floods, and your abandon'd streams:
These could you know? these could you love again?
Thy Tibur, Horace, could it now inspire
Content, poetic ease, and rural joy,

Soon bursting into song: while through the groves
Of headlong Anio, dashing to the vale,

In many a tortured stream, you mused along?
Yon wild retreat, where superstition dreams,
Could, Tully, you your Tusculum believe?
And could you deem yon naked hills, that form,
Famed in old song, the ship-forsaken bay,
Your Formian shore? once the delight of earth,
Where Art and Nature, ever-smiling, join'd
On the gay land to lavish all their stores.
How changed, how vacant, Virgil, wide around,
Would now your Naples seem? disaster'd less

4 Tusculum is reckoned to have stood at a place now called Grotta Ferrata, a convent of monks.

The bay of Mola (anciently Formia) into which Homer brings Ulysses, and his companions. Near Formiæ, Cicero had a villa.

By black Vesuvius thundering o'er the coast,
His midnight earthquakes, and his mining fires,
Than by despotic rage: that inward gnaws
A native foe; a foreign, tears without.
First from your flatter'd Cæsars this began:
Till, doom'd to tyrants an eternal prey,
Thin-peopled spreads, at last, the syren plain",
That the dire soul of Hannibal disarm'd;

8

And wrapp'd in weeds the shore of Venus lies.
There Baiæ sees no more the joyous throng;
Her bank all beaming with the pride of Rome:
No generous vines now bask along the hills,
Where sport the breezes of the Tyrrhene main:
With baths and temples mix'd, no villas rise;
Nor, art-sustain'd amid reluctant waves,
Draw the cool murmurs of the breathing deep:
No spreading ports their sacred arms extend:
No mighty moles the big intrusive storm,
From the calm station, roll resounding back.
An almost total desolation sits,

A dreary stillness, saddening o'er the coast;
Where, when soft suns and tepid winters rose,
Rejoicing crowds inhaled the balm of peace;
Where citied hill to hill reflected blaze;
And, where, with Ceres, Bacchus wont to hold
A genial strife. Her youthful form, robust,

6 Naples, then under the Austrian government. 7 Campagna Felice, adjoining to Capua.

8 The coast of Baiæ, which was formerly adorned with the works mentioned in the following lines; and where, amidst many magnificent ruins, those of a temple erected to Venus are still to be seen.

9 All along this coast, the ancient Romans had their winterretreats; and several populous cities stood.

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