Goya, the Origins of the Modern Temper in ArtAvalon Publishing, 15 de mar. de 1983 - 288 páginas This book is not a monograph but a series of investigations of those aspects of Goya's art that make him specially pertinent to the development of modern art in general and to our times in particular. -- From preface. |
Conteúdo
Preface | 9 |
Tapestry Cartoons | 22 |
List of Illustrations | 27 |
Direitos autorais | |
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Termos e frases comuns
18th century Ad Reinhardt allegory Arrieta artist attitude background Baroque battle becomes Black Paintings Borja Boucher brushwork Callot canvas Caprichos Caravaggio certainly Charles IV Christ color composition contemporaries conventional corpse costume CRUZ The University darkness David death Death of Marat decorative deliberately Disasters earlier element esthetic expression eyes face fact Family of Charles figure forces frame Francisco Salzillo French frescoes genre Géricault gesture give Goya Goya's Goya's painting Goya's portraits group portrait history painting horror human ideal individual interpretation Jacques-Louis David landscape Las Meninas light look Madrid Maja Marquesa martyrdom meaning Metropolitan Museum mirror monsters monumental moral Mortimer Schiff Mortimer Schiff Fund Museum of Art Napoleonic nature never nude Osuna painter photographer pictorial picture pigment Plate political Pontejos portraiture pose Prado presented Puerta del Sol reality religious Rembrandt Rubens Saturn scene Self-Portrait sitters space Spain Spanish tapestry cartoons terror theme Tiepolo tradition Velázquez vision visual