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Shakespeare's Dramatic Art: History and Character of Shakespeare's ..., Volume 2
Visualização completa - 1891
Shakespeare's Dramatic Art: History and Character of Shakespeare's ..., Volume 1
Visualização completa - 1876
according accordingly action actual already ancient appeared beauty become called character circumstances closely comedy comic complete composition connection consider contrast correct course critics death doubt drama Duke edition effect element English entirely especially evident existence expression external fact fall feeling followed further German give given hand hence Henry historical drama human idea individual interest internal John King language latter less maintain manner means mere merely mind moral motives nature object opinion original passages perhaps piece play poet poetical poetry political possess present principle printed probably proved reality reason regards relation remarks representation represented Richard scene Shak Shakspeare Shakspeare's short shows side significance spirit stage stand style things thought tion tragedy Translated true truth turns vols whole wholly written
Página 62 - twixt the green sea and the azur'd vault Set roaring war; to the dread rattling thunder Have I given fire and rifted Jove's stout oak With his own bolt...
Página 423 - All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned ; he needed not the spectacles of books to read nature; he looked inwards, and found her there.
Página 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you, whose pastime Is to make midnight mushrooms ; that rejoice To hear the solemn curfew...
Página 125 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Página 334 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Página 420 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Página 435 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Página 158 - Could great men thunder As Jove himself does, Jove would ne'er be quiet; For every pelting, petty officer Would use his heaven for thunder ; Nothing but thunder. Merciful Heaven ! Thou rather with thy sharp and sulphurous bolt Split'st the unwedgeable and gnarled oak, Than the soft myrtle...
Página 435 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.