Voice and Speech in the TheatreRoutledge, 8 de jan. de 2016 - 160 páginas This is a classic book on voice and speech, designed for actors at all levels. One of the great voice teachers of his day, J. Clifford Turner here uses simple and direct language to impart the necessary technical 'basics' of speech and voice. |
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Página 1
... lips have been repeated a sufficient number of times to set up a habit . THE RESULTS OF CONDITIONING Both voice and speech are conditioned by a large number of factors , for example the influence of social and regional environment . No ...
... lips have been repeated a sufficient number of times to set up a habit . THE RESULTS OF CONDITIONING Both voice and speech are conditioned by a large number of factors , for example the influence of social and regional environment . No ...
Página 4
... lips , singly or in combination . It is this variation in the shape of the mouth which has the effect of imprinting the character of the vowels on the tone . QUALITY AND CHARACTER In listening to a speaker we hear the tone of the voice ...
... lips , singly or in combination . It is this variation in the shape of the mouth which has the effect of imprinting the character of the vowels on the tone . QUALITY AND CHARACTER In listening to a speaker we hear the tone of the voice ...
Página 5
... lips together and lowering the soft palate , as in the case of M. The mouth may be eliminated as a resonator when the pharynx and nose only are used , as in the case of NG . The resonator may be completely closed and then suddenly ...
... lips together and lowering the soft palate , as in the case of M. The mouth may be eliminated as a resonator when the pharynx and nose only are used , as in the case of NG . The resonator may be completely closed and then suddenly ...
Página 23
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Conteúdo
1 | |
8 | |
3 The Tone | 22 |
4 The Note | 47 |
5 The Word | 59 |
6 The Voice in Action | 95 |
7 Conclusion | 129 |
Voice and Speech Routines | 139 |
Index | 150 |
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Termos e frases comuns
acquire actor articulating organs articulatory audibility becomes breath cavities centre note character clarity consonants count dark L develop diaphragm diphthong emotional excitor Exercise exhaled expansion explosive feeling fingers forward glottal stop head heard inflection instrument John Milton larynx lips lower MAH MAH MAH means Merchant of Venice mouth move movement muscles nasal resonance niminy niminy niminy nose pairs pharynx play position pronunciation relaxation Repeat resonant pitch result rib-reserve ribs ribs and diaphragm secondary articulation shape shoulders simple vowels singing soft palate speak speakers sung syllable tension THAH THAY THEE THAW THOO THAW theatre THOO THAW THAH thou tion tone tongue tip triphthongs upper gums utterance vibrator vocal cords voice and speech VOICE TYPES vowel W. S. Gilbert wall whilst whispered words ЌОО НАН ЌЕЕ НАН НОО