Shakespeare on the Stage: 3d SeriesMoffat, Yard, 1916 - 538 Seiten |
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Seite 120
... comic character . Comic he may be , in a restricted sense , as every egregiously conceited , self - sufficient , loquacious , intrusive person is comic : but his com- icality is of a highly disagreeable kind . He is more ludicrous , or ...
... comic character . Comic he may be , in a restricted sense , as every egregiously conceited , self - sufficient , loquacious , intrusive person is comic : but his com- icality is of a highly disagreeable kind . He is more ludicrous , or ...
Seite 172
... comic discomfiture . At last the avowal of their error in making a foolish compact is frankly spoken , in words of signal eloquence and beauty , by the wisest and merriest of them , Biron , who , from the first , has only humored ...
... comic discomfiture . At last the avowal of their error in making a foolish compact is frankly spoken , in words of signal eloquence and beauty , by the wisest and merriest of them , Biron , who , from the first , has only humored ...
Seite 173
... comic illustra- tion of the central truth which animates the play : No man escapes from the ordeal - whether it be tor- ment or bliss of love . " Nature her custom holds , let Shame say what it will . " CONSTITUENTS AND MEANING OF THE ...
... comic illustra- tion of the central truth which animates the play : No man escapes from the ordeal - whether it be tor- ment or bliss of love . " Nature her custom holds , let Shame say what it will . " CONSTITUENTS AND MEANING OF THE ...
Seite 175
... comic characters . The best part of " Love's Labor's Lost " is the humorous part of it . The rich vein of quizzical humor in Shakespeare's mind and his prodigious vocabulary of humorous words and images begin to show themselves in that ...
... comic characters . The best part of " Love's Labor's Lost " is the humorous part of it . The rich vein of quizzical humor in Shakespeare's mind and his prodigious vocabulary of humorous words and images begin to show themselves in that ...
Seite 178
... comic dilemma ends in submission to inex- orable necessity , Biron melodiously asserting the beatitude of Love and the righteousness of Woman's supremacy in Love's domain : in the latter scene the airy spirit of coquetry declares itself ...
... comic dilemma ends in submission to inex- orable necessity , Biron melodiously asserting the beatitude of Love and the righteousness of Woman's supremacy in Love's domain : in the latter scene the airy spirit of coquetry declares itself ...
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acted Imogen acted Posthumus acter actor actress Ada Rehan admired American Stage Antony appeared Armado Arviragus beautiful Belarius Biron Bottom cast character Charles Charles Kemble charming Cleopatra Cloten comedian comedy comic Coriolanus costume Covent Garden Cymbeline Daly Daly's Theatre dramatic dramatist dressed Drury Lane Edward effect English fairies Falstaff Faucit Folio formance Garrick George grace Guiderius Hackett handsome Helena Helena Faucit Hermia Hippolita Hotspur humor Iachimo impersonation Irving James John Philip Kemble Kean Kemble's King Henry London Love's Labor's Lost Lysander Macready manner ment Merry Wives Midsummer Night's Dream Miss natural noble Oberon passion pathetic performance person Phelps Pisanio players poetic possessed presented Prince Henry production Puck quarto Queen Quince record revival Roman Rosaline Samuel Phelps says scene scenery scenic Second Shakespeare Shakespeare's plays spirit theatrical Theseus Thomas tion Titania tragedy Viola Allen voice Volumnia Wallack William Wives of Windsor woman wrote
Beliebte Passagen
Seite 167 - For woman is not undevelopt man, But diverse : could we make her as the man, Sweet love were slain : his dearest bond is this, Not like to like, but like in difference. Yet in the long years liker must they grow ; The man be more of woman, she of man ; He gain in sweetness and in moral height, Nor lose the wrestling thews that throw the world ; She mental breadth, nor fail in childward care, Nor lose the childlike in the larger mind ; Till at the last she set herself to man, Like perfect music unto...
Seite 405 - Men of all sorts take a pride to gird at me : the brain of this foolish-compounded clay, man, is not able to invent any thing that tends to laughter*, more than I invent, or is invented on me : I am not only witty in myself, but the cause that wit is in other men.
Seite 41 - Alas! they had been friends in youth; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Seite 167 - The woman's cause is man's : they rise or sink Together, dwarfed or godlike, bond or free : For she that out of Lethe scales with man The shining steps of Nature, shares with man His nights, his days, moves with him to one goal, Stays all the fair young planet in her hands — If she be small, slight-natured, miserable, How shall men grow...
Seite 306 - THE Second part of Henrie the fourth, continuing to his death, and coronation of Henrie the fift. With the humours of sir lohn Fal staffe, and swaggering Pistoll. As it hath been sundrie times publikely acted by the right honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare. LONDON Printed by VS for Andrew Wise, and William Aspley. 1600.
Seite 40 - WHEN Learning's triumph o'er her barbarous foes First rear'd the stage, immortal Shakespeare rose; Each change of many-colour'd life he drew, Exhausted worlds, and then imagin'd new: Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain.
Seite 50 - This play has many just sentiments, some natural dialogues, and some pleasing scenes, but they are obtained at the expence of much incongruity. To remark the folly of the fiction, the absurdity of the conduct, the confusion of the names, and manners of different times, and the impossibility of the events in any system of life...
Seite 305 - The History of Henrie the Fourth ; with the battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir lohn Falstaffe. At London. Printed by PS for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598.
Seite 40 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine too these golden keys, immortal Boy ! This can unlock the gates of joy ! Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.1 III.
Seite 218 - If you have writ your annals true, 'tis there, That, like an eagle in a dovecote, I Flutter'd your Volscians in Corioli : Alone I did it. — Boy ! Auf.