Shakespeare on the Stage: 3d SeriesMoffat, Yard, 1916 - 538 Seiten |
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Seite 13
... ADA REHAN LATER REVIVALS 261 263 265 · 268 275 O 276 CHAPTER ANNIE RUSSELL'S PRODUCTION THE GRANVILLE Barker PRODUCTION NOTE V. CONTENTS 18 ཚ.
... ADA REHAN LATER REVIVALS 261 263 265 · 268 275 O 276 CHAPTER ANNIE RUSSELL'S PRODUCTION THE GRANVILLE Barker PRODUCTION NOTE V. CONTENTS 18 ཚ.
Seite 191
... Ada Rehan . Edith Crane . Adelaide Prince . Isabel Irving . Nelly Mortimer . Kitty Cheatham . DALY'S REVIVALS . Daly's first production of " Love's Labor's Lost " was made at Daly's Fifth Avenue Theatre , in West Twenty - eighth Street ...
... Ada Rehan . Edith Crane . Adelaide Prince . Isabel Irving . Nelly Mortimer . Kitty Cheatham . DALY'S REVIVALS . Daly's first production of " Love's Labor's Lost " was made at Daly's Fifth Avenue Theatre , in West Twenty - eighth Street ...
Seite 193
... Ada Dyas , a charming embodiment , in which the rosy bloom and affluent vigor of youth were deftly blended with denotement of mature character and ... Ada Rehan had become the leading actress of his dramatic company LOVE'S LABOR'S LOST 193.
... Ada Dyas , a charming embodiment , in which the rosy bloom and affluent vigor of youth were deftly blended with denotement of mature character and ... Ada Rehan had become the leading actress of his dramatic company LOVE'S LABOR'S LOST 193.
Seite 194
... Ada Rehan assumed the royal state of the Princess with gracious dignity , spoke the verse , whether grave or gay , fluently and sweetly , suffusing her impersonation with womanly charm and play- fully mischievous piquancy . The picture ...
... Ada Rehan assumed the royal state of the Princess with gracious dignity , spoke the verse , whether grave or gay , fluently and sweetly , suffusing her impersonation with womanly charm and play- fully mischievous piquancy . The picture ...
Seite 269
... Ada Rehan Virginia Dreher Alice Hood Edward Wilks Phoebe Russell Ada Rehan Jean Gordon Isabel Irving Kitty Cheatham Bijou Fernandez George Clarke Edwin Varrey John Craig Frank Worthing Hobart Bosworth Tyrone Power Herbert Gresham James ...
... Ada Rehan Virginia Dreher Alice Hood Edward Wilks Phoebe Russell Ada Rehan Jean Gordon Isabel Irving Kitty Cheatham Bijou Fernandez George Clarke Edwin Varrey John Craig Frank Worthing Hobart Bosworth Tyrone Power Herbert Gresham James ...
Inhalt
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acted Imogen acted Posthumus acter actor actress Ada Rehan admired American Stage Antony appeared Armado Arviragus beautiful Belarius Biron Bottom cast character Charles Charles Kemble charming Cleopatra Cloten comedian comedy comic Coriolanus costume Covent Garden Cymbeline Daly Daly's Theatre dramatic dramatist dressed Drury Lane Edward effect English fairies Falstaff Faucit Folio formance Garrick George grace Guiderius Hackett handsome Helena Helena Faucit Hermia Hippolita Hotspur humor Iachimo impersonation Irving James John Philip Kemble Kean Kemble's King Henry London Love's Labor's Lost Lysander Macready manner ment Merry Wives Midsummer Night's Dream Miss natural noble Oberon passion pathetic performance person Phelps Pisanio players poetic possessed presented Prince Henry production Puck quarto Queen Quince record revival Roman Rosaline Samuel Phelps says scene scenery scenic Second Shakespeare Shakespeare's plays spirit theatrical Theseus Thomas tion Titania tragedy Viola Allen voice Volumnia Wallack William Wives of Windsor woman wrote
Beliebte Passagen
Seite 167 - For woman is not undevelopt man, But diverse : could we make her as the man, Sweet love were slain : his dearest bond is this, Not like to like, but like in difference. Yet in the long years liker must they grow ; The man be more of woman, she of man ; He gain in sweetness and in moral height, Nor lose the wrestling thews that throw the world ; She mental breadth, nor fail in childward care, Nor lose the childlike in the larger mind ; Till at the last she set herself to man, Like perfect music unto...
Seite 405 - Men of all sorts take a pride to gird at me : the brain of this foolish-compounded clay, man, is not able to invent any thing that tends to laughter*, more than I invent, or is invented on me : I am not only witty in myself, but the cause that wit is in other men.
Seite 41 - Alas! they had been friends in youth; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
Seite 167 - The woman's cause is man's : they rise or sink Together, dwarfed or godlike, bond or free : For she that out of Lethe scales with man The shining steps of Nature, shares with man His nights, his days, moves with him to one goal, Stays all the fair young planet in her hands — If she be small, slight-natured, miserable, How shall men grow...
Seite 306 - THE Second part of Henrie the fourth, continuing to his death, and coronation of Henrie the fift. With the humours of sir lohn Fal staffe, and swaggering Pistoll. As it hath been sundrie times publikely acted by the right honourable, the Lord Chamberlaine his seruants. Written by William Shakespeare. LONDON Printed by VS for Andrew Wise, and William Aspley. 1600.
Seite 40 - WHEN Learning's triumph o'er her barbarous foes First rear'd the stage, immortal Shakespeare rose; Each change of many-colour'd life he drew, Exhausted worlds, and then imagin'd new: Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain.
Seite 50 - This play has many just sentiments, some natural dialogues, and some pleasing scenes, but they are obtained at the expence of much incongruity. To remark the folly of the fiction, the absurdity of the conduct, the confusion of the names, and manners of different times, and the impossibility of the events in any system of life...
Seite 305 - The History of Henrie the Fourth ; with the battell at Shrewsburie, betweene the King and Lord Henry Percy, surnamed Henrie Hotspur of the North. With the humorous conceits of Sir lohn Falstaffe. At London. Printed by PS for Andrew Wise, dwelling in Paules Churchyard, at the signe of the Angell. 1598.
Seite 40 - This pencil take (she said), whose colours clear Richly paint the vernal year : Thine too these golden keys, immortal Boy ! This can unlock the gates of joy ! Of horror that, and thrilling fears, Or ope the sacred source of sympathetic tears.1 III.
Seite 218 - If you have writ your annals true, 'tis there, That, like an eagle in a dovecote, I Flutter'd your Volscians in Corioli : Alone I did it. — Boy ! Auf.