Religious Poetry in Vernacular Syriac from Northern Iraq (17th-20th Centuries): An AnthologyThe present publication ideally continues the CSCO 589-590, in which 17th-century religious poems in Vernacular Syriac (i.e., Neo-Aramaic or Sureth) were published. It offers the reader a rich anthology and the most complete historical sketch of the dorektha genre, surveying published and unpublished works by Chaldean and Assyrian authors. Texts dating from 1607/08 to 1980 AD are critically edited and translated into English, with linguistic, philological and literary comments: On Repentance by Hormizd of Alqosh (17th cent.); the poetic diptych On the Torments of Hell and On the Delights of the Kingdom by Damynanos of Alqosh, which shows the author's indebtedness to Italian Baroque sermons; On a Famine in the Year 1898 by the poetess Anne of Telkepe, probably the first work by a woman to enter the CSCO; the fascinating and living story of the Hermit Barmalka by Joseph 'Abbaya of Alqosh; On an Attack by the Mongols at Karamlish, in which Thomas Hanna of Karamlish elaborates on classical sources such as Gewargis Warda and Barhebreus; the touching and beautiful elegy On Exile by Yohannan Cholagh, who deals with the Christian emigration from Iraq, a contemporary social problem that is even more pressing today than in 1980, when the poem first appeared in Qala Suryaya. |
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Página 39
It is certainly more difficult to describe a heavenly delight, though it may have
great charm in itself, without the use of references to earthly pleasures. So, the “
hellish part* of the realms of the after-life is generally more descriptive and
extensive.
It is certainly more difficult to describe a heavenly delight, though it may have
great charm in itself, without the use of references to earthly pleasures. So, the “
hellish part* of the realms of the after-life is generally more descriptive and
extensive.
Página 40
The heavenly delights described by Damyanos do not present original traits. An
earthly pen can perhaps dare to paint a vision of songs, praises, angelical
parades but it must not go too far. AS many authors before him, the poet admits
his limit ...
The heavenly delights described by Damyanos do not present original traits. An
earthly pen can perhaps dare to paint a vision of songs, praises, angelical
parades but it must not go too far. AS many authors before him, the poet admits
his limit ...
Página 68
11. 12. 13. 14. 15. Behold, the exaltation of unending delight. There is no ending
to the delight the blessed ones enjoy, and there is no end to that day, never again
will it grow dark or be eclipsed, forever boundless, neither shifting nor moving.
11. 12. 13. 14. 15. Behold, the exaltation of unending delight. There is no ending
to the delight the blessed ones enjoy, and there is no end to that day, never again
will it grow dark or be eclipsed, forever boundless, neither shifting nor moving.
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Conteúdo
HORMIZD OF ALQOSH | 10 |
Baroque sources by S Destefanis | 29 |
DAMYANOS OF ALQOSH | 42 |
Direitos autorais | |
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Termos e frases comuns
19th century anadiplosis anaphora angel Apocalypse of Paul attributed Barhebraeus Barmalka Beth Qoqa biblical Blessed Virgin Mary burning Chaldean Choläg Christian church Classical Syriac curse damned Damyanos of Alqosh darkness David Kora death delight devil dorekta dorekta On Repentance dorekyata East-Syriac Erbil evil eyes Famine Father Rhétoré Fiey fire forever Gengis Khan Giwargis Warda Habbi Haydeni of Gessa heart Heaven heavenly hermit Holy Hormizd of Alqosh hymn implore invocation ISBN Isqof Israel of Alqosh Joseph of Telkepe Khatun killed Kingdom land listen manuscript Mar Sabrisho Mengozzi mercy monastery Mongolian Mongols monk Mosul Neo-Aramaic Neo-Syriac poetry Northern Iraq Oh Lord oh merciful onita Paolo Segneri Patriarch Pennacchietti Pinamonti poem poet Poizat prayer priest prologue punishment Rustaqa Sabrisho Sachau Saint Saviour Segneri sinners sins soul suffering Tartars tears Thomas Hanna Torments of Hell torture town tradition verses village wicked Wilmshurst 2000 worm Yohannan