The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Ergebnisse 1-3 von 29
Seite 181
... sing these notes , first with and then without the piano . 3. Add one more note . Sing do — re - mi - fa first with and then without the piano . 4. Play the last three notes of the scale - la - ti - do - sing these notes first with and ...
... sing these notes , first with and then without the piano . 3. Add one more note . Sing do — re - mi - fa first with and then without the piano . 4. Play the last three notes of the scale - la - ti - do - sing these notes first with and ...
Seite 182
... sing the first , third , and fifth notes of the scale , first up and then down - do - mi - sol - mi - do . 8. Do the preceding exercises substituting la , lo , and oh for the musical terms . 9. Sing oh on any note that is comfortable ...
... sing the first , third , and fifth notes of the scale , first up and then down - do - mi - sol - mi - do . 8. Do the preceding exercises substituting la , lo , and oh for the musical terms . 9. Sing oh on any note that is comfortable ...
Seite 341
... sing , hey ding a ding , ding ; Sweet lovers love the spring . This carol they began that hour , With a hey , and a ho , and a hey nonino , How that a life was but a flower , In the spring - time , the only pretty ring - time , When ...
... sing , hey ding a ding , ding ; Sweet lovers love the spring . This carol they began that hour , With a hey , and a ho , and a hey nonino , How that a life was but a flower , In the spring - time , the only pretty ring - time , When ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak