The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 102
... nasal cavities . Although a slight amount of nasal resonance is desirable in the production of the English vowels and diphthongs , especially when they precede or follow nasal sounds , their primary sources of resonance are the pharynx ...
... nasal cavities . Although a slight amount of nasal resonance is desirable in the production of the English vowels and diphthongs , especially when they precede or follow nasal sounds , their primary sources of resonance are the pharynx ...
Seite 231
Ruth Baldock Manser, Leonard Finlan. CHAPTER 14 FAULTS OF RESONANCE : THE NASAL VOICE The nasal voice is so called because it is distorted by too much nasal resonance . Every good voice must have a blend of resonance , as the tone ...
Ruth Baldock Manser, Leonard Finlan. CHAPTER 14 FAULTS OF RESONANCE : THE NASAL VOICE The nasal voice is so called because it is distorted by too much nasal resonance . Every good voice must have a blend of resonance , as the tone ...
Seite 233
... nasal resonance . Consci- entious practice on the exercises given for functional nasality will help in overcoming ... nasal sounds in English - m , n , and ng . These , naturally , must be reinforced in the nasal cavities ; otherwise ...
... nasal resonance . Consci- entious practice on the exercises given for functional nasality will help in overcoming ... nasal sounds in English - m , n , and ng . These , naturally , must be reinforced in the nasal cavities ; otherwise ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak