The Speaking VoiceDavid McKay Company, 1962 - 404 Seiten |
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Seite 69
... feel the same abdominal - chest expansion and contraction that you felt while lying down . If you do not feel it , try again . Continue trying until there is an outward movement of the abdomen and lower chest with each inhalation ; an ...
... feel the same abdominal - chest expansion and contraction that you felt while lying down . If you do not feel it , try again . Continue trying until there is an outward movement of the abdomen and lower chest with each inhalation ; an ...
Seite 167
... feel of it , and then the feel of its oppo- site , relaxation . It is by relaxing muscles that tension is driven out of them . 9. After a considerable amount of practice you will find that it is no longer necessary to tense before ...
... feel of it , and then the feel of its oppo- site , relaxation . It is by relaxing muscles that tension is driven out of them . 9. After a considerable amount of practice you will find that it is no longer necessary to tense before ...
Seite 177
... feel more relaxed in the present . 2. In the same quiet comfortable position , use other mental images to induce muscular relaxation . Remember that the muscles of your body are responsive to your thinking and feeling . Feel relaxed and ...
... feel more relaxed in the present . 2. In the same quiet comfortable position , use other mental images to induce muscular relaxation . Remember that the muscles of your body are responsive to your thinking and feeling . Feel relaxed and ...
Inhalt
Breathing | 21 |
Phonation | 41 |
Resonance | 57 |
Urheberrecht | |
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abdominal muscles become begin body breath called carry cause cavity Chap chapter chest close conversational diphthongs efficient emotional energy English exercises exhale eyes fall faults feel front functional give hand head hear heard hoarseness important improvement indicate inflection Inhale initial keep King larynx lips listen live look lower lungs manner means mouth muscles musical nasal nasal cavities nasal sounds nature never night organic period person phrase pitch play pleasing position possible practice produced push raised Read Recorded relaxation Repeat resonance rest result round selections SHAKESPEARE sing soft palate sound speak speaker speech spread stand student teacher technique tense tension thee thou thought throat tion tone tongue vibrations vocal bands voice vowels wall weak