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" I JOY, dear Mother, when I view Thy perfect lineaments, and hue Both sweet and bright : Beauty in thee takes up her place, And dates her letters from thy face, When she doth write. "
The temple, sacred poems and private ejaculations. [With] The synagogue - Página 88
de George Herbert - 1703
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The temple: sacred poems, and private ejaculations. To which is added, a ...

George Herbert - 1799 - 310 páginas
...F 3 The Brhifti Church. I Joy, dear mother, when I view Thy perfefi lineaments, and hue Both fvreet and bright. Beauty in thee takes up her place, And dates her letters from thy (ace, When flic doth write. A .fine af [." ct in & array, Neithertoo mean, nor yet too gay, Shews wi;-.:...
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Christian Remembrancer: Or, The Churchman's Biblical ..., Volume 4

1822 - 792 páginas
...lives. THE BRITISH CHURCH. I joy, dear mother, when I view Thy perfect lineaments, and hue Both sweet and bright. Beauty in thee takes up her place, And dates her letters from thy face. When she doth write. A fine aspect in fit array, Neither too mean, nor yet too gay, Shows who is best. Outlandish...
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The Gentleman's Magazine, and Historical Chronicle, for the Year ..., Volume 95

1825 - 726 páginas
...• Gh. xui. ver. 99. f Herbert'. Britiih Church. [Jan. I joy, d»r Mother, when I view ' Thy perfect lineaments and hue, Both tweet and bright. Beauty in thee takes up her pUce, And dates her letters from thy face, When she doth write. A fine aspect in fit array, Neither...
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Sacred Classics, Or, Cabinet Library of Divinity, Volume 21

Richard Cattermole, Henry Stebbing - 1835 - 402 páginas
...king. THE BRITISH CHURCH. I JOY, dear mother, when I view Thy perfect lineaments and hue, Both sweet and bright. Beauty in thee takes up her place, And dates her letters from thy face, When she doth write. A fine aspect in fit array, Neither too mean, nor yet too gay, Shows who is best. Outlandish...
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Sacred Poetry of the Seventeenth Century: Including the Whole of ..., Volume 1

Giles Fletcher - 1836 - 400 páginas
...king. THE BRITISH CHURCH. I JOY, dear mother, when I view Thy perfect lineaments and hue, Both sweet and bright. Beauty in thee takes up her place, And dates her letters from thy face, When she doth write. A fine aspect in fit array, Neither too mean, nor yet too gay, Shows who is best. Outlandish...
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The Works of George Herbert, Volume 2

George Herbert - 1838 - 406 páginas
...LXXXIII. THE BRITISH CHURCH. I JOY, dear Mother, when I view Thy perfect lineaments, and hue Both sweet and bright : Beauty in thee takes up her place, And dates her letters from thy face, When she doth write. A fine aspect in fit array, Neither too mean, nor yet too gay, Shows who is best :...
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The Episcopal magazine, and Church of England warder ..., Volume 1,Edições 1-3

1839 - 274 páginas
...CHURCH. BY GEORGE HERBERT. I JOY, dear mother, when I view Thy perfect lineaments and hue, Both sweet and bright. Beauty in thee takes up her place, And dates her letters from thy face, When she doth write. A fine aspect in fit array, Neither too mean, nor yet too gay, Shows who is best. Outlandish...
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Clement Walton: Or, The English Citizen

William Gresley - 1840 - 228 páginas
...DEVELOPMENT OF THE CHURCH. I joy, dear mother, when I view Thy perfect lineaments and hue, Both sweet and bright : Beauty in thee takes up her place, And dates her letters from thy face, "When she doth write. GEOKGE HERBERT. The British Church. MR. HAMMOND was both pleased and affected by the...
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The Eclectic Review

1840 - 760 páginas
...'THE BRITISH CHURCH. ' I JOY, dear mother, when I view, Thy perfect lineaments, and hue, Both sweet and bright. ' Beauty in thee takes up her place; And dates her letter from thy face, When she doth write. ' A fine aspect, in fit array, Neither too mean, nor yet...
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The Temple: And the Country Parson

George Herbert - 1842 - 400 páginas
...Or take me up to thee ! I JOY, dear mother, when I view Thy perfect lineaments, and hue Both sweet and bright. Beauty in thee takes up her place, And dates her letter from thy face, When she doth write. A fine aspect, in lit array, Neither too mean, nor yet too...
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