| Samuel Taylor Coleridge - 1816 - 242 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed...distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this OF... | |
| 1816 - 676 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
| 1816 - 592 Seiten
...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour, he found to... | |
| Samuel Taylor Coleridge - 1828 - 374 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed...distinct recollection of the whole, and taking his pen ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment... | |
| Samuel Taylor Coleridge - 1829 - 400 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed...composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness... | |
| 1829 - 558 Seiten
...of this composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
| Samuel Taylor Coleridge - 1831 - 628 Seiten
...wbi.-li (mi'1 he has tho most vivid confidence that he could not have componed 1екч thiui from two lo nil the image« rose UP b<Ttir<j him an things, witli n parallel production of the correspondent expressions,... | |
| Robert Macnish - 1834 - 310 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he had the most vivid confidence, that he could not have composed...distinct recollection of the whole : and taking his pen, ink, and paper instantly and eagerly wrote down the lines that are here preserved. At this moment... | |
| Robert Macnish - 1834 - 362 Seiten
...about three hours in a profound sleep, at least of the external senses, during which time he had the most vivid confidence, that he could not have composed...distinct recollection of the whole: and, taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment... | |
| Samuel Taylor [poetical works] Coleridge - 1834 - 312 Seiten
...senses, during which time he luw the most vivid confidence, that he could not have compound less tlmn from two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production of the correspondent expressions, without... | |
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