The Literature/film Reader: Issues of Adaptation
From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history-often a separate category of film study-can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
It Wasnt Like That in the Book
18 outras seções não mostradas
Outras edições - Visualizar todos
adaptation studies Alamo American appears approach argues attempt audience become beginning believe Blues called Camille century chapter characters cinema classic close context Coppola course created criticism cultural Davies death detail directed director effect English example fact fiction fidelity film film adaptation film's filmmakers final follow Fowler given Greene hand Hollywood House ideas important interesting James John Juliet kind later literary literature lives look Luhrmann's meaning move movie narrative notes novel opening original performance play political popular position present production question readers reading reality references relationship represent Romeo scene screen seems sense Shakespeare Shakespeare in Love shot social space stage story suggests tells theory tion traditional turn understanding University Press Vietnam visual writing York