The Dawning of American Keyboard MusicBloomsbury Academic, 19.10.1988 - 438 Seiten Clark provides an extensive survey of the keyboard culture of the young American nation. Written in straightforward, accessible style, the volume covers the period 1787-1830. Clark's unusual organization of the music by genre . . . reveals the wide expanse of the early musical output. . . . This volume belongs in every academic library and on the shelves of all pianists interested in US national musical heritage. Clark's `overriding wish is that some of this music will be played and heard again.' This reviewer heartily concurs and applauds this book as a solid cornerstone upon which his wish may be built. Choice |
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... returns in the dominant key . In common with Carr's rondos , Moran uses the minor mode for " C , " but here G minor , relative of the dominant . Moran's rondo " The Carrier Pigeon " ( 1825 ; Wolfe 6090 ) is based on his own song issued ...
... returns of the main theme are usually clear , not veiled by many changes of harmony or decoration of melody . Heinrich , by contrast , treats the returns of " Students March " almost as a concurrent set of variations , often obscuring ...
... returns . The strongest element of unity is the basic key of E , which returns during the movement ( meas . 21-29 , 42-50 ; 6/5/3 and 7/5/3 ) and towards the end ( meas . 60 ; 8 / 5 / last ) . Even this key is negated at the end ; just ...
Inhalt
Sonatas Rausch to Heinrich | 1 |
120 | 18 |
110 | 22 |
Urheberrecht | |
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