The Dawning of American Keyboard MusicBloomsbury Academic, 19.10.1988 - 438 Seiten Clark provides an extensive survey of the keyboard culture of the young American nation. Written in straightforward, accessible style, the volume covers the period 1787-1830. Clark's unusual organization of the music by genre . . . reveals the wide expanse of the early musical output. . . . This volume belongs in every academic library and on the shelves of all pianists interested in US national musical heritage. Clark's `overriding wish is that some of this music will be played and heard again.' This reviewer heartily concurs and applauds this book as a solid cornerstone upon which his wish may be built. Choice |
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... provide a sufficient market for more ambitious music . But the situation changed noticeably in the second decade of the new century , as seen in some of the pianistically demanding pieces by such com- posers as Gilfert , Hupfeld , and ...
... provides occasional changes of harmony ; for example , the harmony for the first four measures in the theme is I / V / V / I ; in variation 1 it is changed to I - V / I / V / V . From the same year of 1829 comes his variations on " Oh ...
... provides a description of the difference between the piano and harpsichord at the end of the first part . The pianoforte is capable of more expression than either that Instru- ment [ the harpsichord ] or the Organ . ... Whereas on the ...
Inhalt
Sonatas Rausch to Heinrich | 1 |
120 | 18 |
110 | 22 |
Urheberrecht | |
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