The Dawning of American Keyboard MusicBloomsbury Academic, 19.10.1988 - 438 Seiten Clark provides an extensive survey of the keyboard culture of the young American nation. Written in straightforward, accessible style, the volume covers the period 1787-1830. Clark's unusual organization of the music by genre . . . reveals the wide expanse of the early musical output. . . . This volume belongs in every academic library and on the shelves of all pianists interested in US national musical heritage. Clark's `overriding wish is that some of this music will be played and heard again.' This reviewer heartily concurs and applauds this book as a solid cornerstone upon which his wish may be built. Choice |
Im Buch
Ergebnisse 1-3 von 68
... Octave higher , " and indeed the highest note is c " " . 15 The " C " section , in the relative . minor key , is based on a theme first heard near the end of the " A ” section . Frequent use of bold octaves in both hands and the ...
... octaves in D minor , and again in C minor in the midst of the same section . For what is essentially a false return , albeit in the tonic key , 49 Carr provides a new treatment , the melody in the left hand answered by quick scales in ...
... octaves gives the sound of " the drums beat to charge , " or the " rolling of drums " in Jadin . Blewitt's right- hand tremolos are the musical equivalent of the clashing of swords , and his unique effect is the ascending two - octave ...
Inhalt
Sonatas Rausch to Heinrich | 1 |
120 | 18 |
110 | 22 |
Urheberrecht | |
30 weitere Abschnitte werden nicht angezeigt.